幻想這一概念的本體論悖論在於它推翻了主觀與客觀的標準對立。根據定義,幻想既不是客觀的,也不是主觀的。它是屬於一種不可思議的現象範疇,一種客觀的主觀體驗, 斯拉沃熱·齊澤克(Slavoj Zizek)將其描述為“事物在你看來實際上是客觀的,即使它們在你看來不是那樣的。”
The ontological paradox of the concept of fantasy lies in the fact that it overturns the standard opposition of subjectivity and objectivity. Fantasy, by definition, is certainly neither objective nor subjective. Rather, it falls under the category of an uncanny phenomenon, an objectively subjective experience described by Slavoj Zizek as “the way things actually, objectively seem to you even if they don’t seem that way to you.”
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通過冷與沉重的材料和柔軟與粗糙的紋理Andersson Bell將緊湊的存儲空間有效地提供了一種奇幻感。這種怪誕的視覺效果脫離了普遍美的幻想,冰冷且枯燥的金屬塊物體既是Andersson Bell的表達工具,也是商店理想價值的暗示。
The tight store space of Andersson Bell effectively provides a sense of fantasy through deploying dramatic contrasts within the space: between cold and heavy materials or soft and rough textures. The grotesque visual which deviates from the fantasy of universal beauty and the cold, arid masses of metal both serve as Andersson Bell’s tools for expression and a suggestion of the store’s ideal values.
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項目信息——
項目名稱:Andersson Bell Flagship Store
設計方:Creative Studio Unravel
聯繫郵箱: [email protected]
項目設計&完成年份: 2017年 04月
主創及設計團隊:Creative Studio Unravel
項目地址:38,Seolleung-ro 153-gil,Gangnam-gu,Seoul,Republic of Korea
建築面積:108㎡
設備合作方:Ledongil
藝術品:Giseok, Cho
地毯:Fivecomma
客戶: Andersson Bell
品牌:Ledongil Workshop 、Giseok,Cho 、Fivecomma
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