應廣大買家的要求，深圳明陽國際交易平臺推出了【藏·薦】欄目。【藏·薦】欄目藉助深圳明陽國際交易平臺強大的傳播效應，向各位買家推薦經過故宮博物館多名專家甄選的藝術臻品，已經為出手賣家及置購買家牽線搭橋，讓千百件藝術珍品的價值都被髮掘與重視並得以在交易中兌現。
規格：
高： 7.2cm 口徑： 14.9cm 底徑： 5.3cm
明代青花瓷器是指明代各個時期的青花瓷器，在中國青花瓷中影響深遠。不同年代的青花瓷器具有不同的特點，但青花鈷料都能很好地適應中國繪畫的各種題材。Blue and white porcelain of Ming Dynasty refers to the blue and white porcelain of various periods of Ming Dynasty, which has far-reaching influence in China's blue and white porcelain. Blue and white porcelains of different ages have different characteristics, but blue and white cobalt materials can well adapt to various subjects of Chinese painting.
明青花瓷器的繪畫用傳統的毛筆，以各種線條和點染、渲染來完成畫圖。The traditional brushes are used in the paintings of the blue and white porcelain of the Ming Dynasty to complete the drawings with various lines and dots.
在明成化時期，燒製數量大，且將進口料與國產"平等青"料共用。"平等青"又稱"陂唐青"，產地在江西省樂平縣境內，它後來居上，逐漸取代了"蘇泥勃青"，特點是呈色穩定，髮色藍中泛青灰或正藍，含鐵量小，故不出現黑斑，呈色沉而不浮，以溫潤淡雅見長。其紋飾，畫意疏朗，繪工精緻，用筆纖細而柔渾，明晰透徹，襯以潔白細膩瑩潤的釉面，使這一時期的青花器成為典雅的藝術品。During the Ming-Chenghua period, the quantity of firing was large, and the imported materials were shared with the domestic "Equal Green" materials. "Equality Green" is also known as "Pei Tang Qing", originated in Leping County, Jiangxi Province. It came to the top and gradually replaced "Su Nibo Qing". Its characteristics are stable color, blue in the pan-blue or positive blue, small iron content, so there is no black spot, sunken color but not floating, and it grows with gentleness and elegance. Its decorative patterns, clear, delicate painting, fine and soft brush, clear and thorough, lined with white, delicate and lustrous glaze, make the blue and white ware of this period become elegant works of art.
1973年與1987年，景德鎮御器廠遺址先後出土大量成化官窯殘碎瓷器，以青花瓷數量最多。其中，有仿宣德時的松竹梅、雙獅戲球、麒麟、海水異獸等紋飾的盤、碗及靈芝紋或飛龍的罐等，器形大小不同。成化時期的小型器皿以盤、碗、杯、碟、高足杯為最，胎薄體輕，造型秀麗，紋飾多采用雙線勾勒填色，極為工細利落。所繪花鳥、並蒂蓮、秋葵、九秋、蓮池鴛鴦、水藻、螭龍、摩羯、雲氣樓閣、高人逸士等，生動飄逸，佛教的十字寶杵、梵文經語書體流暢。其修胎薄如卵殼的三秋花蝶杯，器裡可映見外壁紋飾，實為一代之奇。In 1973 and 1987, a large number of broken porcelains from Chenghua official kilns were unearthed at the site of Jingdezhen Imperial Ware Factory, with blue and white porcelains being the most abundant. Among them, there are pans, bowls and cans of Ganoderma lucidum or flying dragon with different shapes and sizes, which imitate Xuande's Song Zhumei, Double Lion Play Ball, Kirin, and sea animals. In Chenghua period, dishes, bowls, cups, dishes and goblets were the most important small utensils. They were thin and light, with beautiful shapes, and their decorations were mostly filled with double-line outlines, which were extremely delicate and neat. The paintings of flowers and birds, lotus, okra, Jiuqiu, lotus pond Mandarin ducks, algae, Chilong, Capricorn, cloud pavilions, elite scholars, etc. are vivid and elegant, and the Buddhist cross-treasure loquats and Sanskrit>
在位23年，經濟正統景泰和天順這三朝的動亂時期（後被稱為空白期或黑暗期），差一點把朱元璋打下的江山毀掉。不過由於名相的輔佐，加之採取了一系列治國措施，明朝逐漸恢復生機，百姓的生活也得到安定。景德鎮官窯也逐漸走向繁榮發展的正規之路。所以，明朝人稱成化，弘治朝為太平盛世。明成化朝是我國瓷器燒造史上一個重要的歷史時期。此時的瓷器造型玲瓏秀奇胎質細潤晶瑩，材料精選純正，色調柔和寧靜，繪畫淡雅幽婉，以其輕瑩秀雅的風格獨步一時，徹底擺脫了洪武，永樂，宣德時期，沒有永樂瓷器和宣德瓷器的大氣派。而是追求中小作品，追求賞心悅目，特別講究線條美。使後人對成化瓷器有極高的評價。收藏界中有“民看成化，清看雍正”的說法。這個時期的瓷器從藝術和審美角度上達到了歷史高峰。After 23 years in power, the turbulent periods of the three dynasties, Jingtai and Tianshun, which were called the blank or dark periods, almost destroyed the rivers and mountains that Zhu Yuanzhang had laid down. However, thanks to the assistance of the famous officials and the adoption of a series of measures to govern the country, the Ming Dynasty gradually regained its vitality and the people's lives were also stabilized. Jingdezhen official kiln is also gradually moving towards the normal road of prosperity and development. Therefore, the Ming Dynasty was called Chenghua and the Hongzhi Dynasty was called the Peaceful Age. The Chenghua Dynasty of Ming Dynasty is an important historical period in the history of China's porcelain firing. At this time, the shape of porcelain is exquisite, exquisite and exquisite, the quality of the embryo is delicate and glittering, the material is selected and pure, the tone is gentle and quiet, the painting is elegant and graceful. With its light and elegant style, it has completely got rid of the atmosphere of Hongwu, Yongle and Xuande periods, without Yongle and Xuande porcelain. It is the pursuit of small and medium-sized works, the pursuit of pleasure to the eye, especially the beauty of lines. Make the descendants have a very high evaluation of Chenghua porcelain. There is a saying in the collection circle that the people are regarded as the people and Yongzheng as the people. Porcelain in this period reached a historical peak from the artistic and aesthetic point of view.
珍珠白沁煙雨
Pearl Baiqin Smoke and Rain
孔雀藍映著月光
Peacock Blue reflects the moonlight
瑩透素顏
Bright and clear
朦朧了琴絃上縷檀香
Hazy sandalwood on the strings
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