“大清乾隆年制”青花的紋飾最大特點是構圖豐滿，層次多而不亂。筆法以一筆點劃多見，流暢有力；勾勒渲染則粗壯沉著，以鮮明的視覺效果，給人以簡明的快感。以其大氣豪邁氣概和藝術原創精神，將青花繪畫藝術推向頂峰，確立了後世青花瓷的繁榮與長久不衰。
The most important feature of the blue and white decoration of the Qianlong Annual System in the Qing Dynasty is that it has a rich composition and many layers without disorder. The strokes are often stroked with strokes, smooth and powerful, while the outline rendering is stout and calm, giving people a concise pleasure with distinct visual effects. With its magnificent spirit and artistic originality, the blue and white painting art has reached its peak and established the prosperity and long-term endurance of blue and white porcelain in later generations.
此青花海水波濤龍紋梅瓶，約高：37.6cmX約寬:2.4cmx約重:3.39kg小口短頸，豐肩弧腹，脛部內斂，圈足微外撇，器底有“大清乾隆年制”三行六字青花篆書款，造型規整，比例和諧，俊秀穩重，端莊大方。波濤洶湧的海水，矯健威猛的青龍在遨遊，以青花點龍雙睛怒發飄揚，五爪似風火輪，呈比目眼。曲張有力威猛，愈顯神。整個畫面熱烈奔放，青花濃重鮮豔，筆意流暢自然，堪稱“大清乾隆年制”青花瓷中的絕品佳作。
This blue and white plum bottle is about 37.6cmX wide and 2.4cmx heavy: 3.39kg small mouth, short neck, abundant shoulder arc belly, tibia introverted, slightly circumscribed feet, with three lines and six characters of blue and white seal book style of "Qianlong Year System of the Qing Dynasty" on the bottom of the bottle, which is regular in shape, harmonious in proportion, handsome and stable, dignified and generous. In the turbulent sea, the vigorous and vigorous blue dragon is roaming, with blue and white dotted dragon eyes angrily fluttering, five claws like wind and fire wheel, showing the eye of the eye. Quzhang is powerful and powerful, showing more and more spirit. The whole picture is warm and unrestrained, blue and white are thick and bright, and the brushwork is smooth and natural. It can be called the best blue and white porcelain of the Qianlong Year of the Qing Dynasty.
梅瓶的頸、肩分別以青花繪蕉葉紋、花草紋和如意雲紋，腹部主題紋飾是雲龍紋。瓶腹部五條形態各異龍騰躍與雲間，雲龍的相互映襯，使得主題紋飾更加鮮明。尤其是五條龍紋，同在一件器物上的採用的表現形式、繪畫技法各有千秋，在乾隆時期十分罕見。正面龍，龍首為正面，前肢左右對稱而舞，俯視張嘴，龍首端正威儀，繪線分明，展示了王者的霸氣。這種繪畫形式要求畫工思維要用脫俗技法，體現出龍之威嚴和至高無上皇權的尊貴。
The neck and shoulder of plum bottle are painted with blue and white banana leaf pattern, flower and grass pattern and wishful moire pattern respectively. The theme of abdomen decoration is moire dragon pattern. Five different shapes of the abdomen of the bottle leap between the clouds and the Yunlong contrast each other, making the theme decoration more distinct. Especially the five dragon patterns, the forms of expression and painting techniques used on the same object have their own merits, which were very rare in the Qianlong period. The front dragon, the head of the dragon is on the front, the forelimbs are symmetrical and dance, looking down at the mouth, the head of the dragon is dignified, the lines are clear, showing the tyranny of the king. This form of painting requires that the painter's thinking should be free from vulgarity, reflecting the dignity of the dragon and the nobility of the supreme imperial power.
這件器物上的應龍繪製精美，將帝王的威武與神秘莊嚴的形象隱喻化地呈現。張翅飛舞的應龍，躍于波濤上，大有攝海之威猛，給人深刻而震撼的印象。瓶身下方的海水紋樣，以淺藍色調細描的浪花飛沫，生動地展示了浩瀚海洋與神龍共生的物華詩境。現廣西曾先生有意轉讓““大清乾隆年制””青花海水波濤龍紋梅瓶，歡迎資深藏家蒞臨本司鑑賞，望有緣人得之！
The Yinglong on this artifact is beautifully painted, which metaphorically presents the majesty and mysterious and solemn image of the emperor. Wings flying Yinglong, leaping on the waves, has the power to take the sea, giving a deep and shocking impression. The sea pattern under the bottle body vividly shows the Wuhua poetry scene where the vast ocean and the divine dragon coexist with each other, with the spray droplets carefully depicted in light blue tone. Now Mr. Zeng of Guangxi intends to transfer the blue, white and sea water plum bottle of "Qianlong Annual System of the Qing Dynasty". He hopes it will be won by the people.
寶利軒藝術品有限公司
地址：廣東省珠海市香洲區九洲大道西2021號中海大廈A座10樓
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