Jiechen Gallery is the first professional contemporary art space established by Jiechen Culture in Taiyuan. The project is located in Jinyang Street, Xiaodian District, Taiyuan, Shanxi. Jinyang Street is a gathering place for Taiyuan's urban economy, culture, and education, and now it is gradually transforming into a cultural district that integrates history, art and humanities.
劫塵畫廊是劫塵文化於太原設立的首個專業當代藝術空間，項目位於山西省太原市小店區晉陽街，晉陽街作為太原城市經濟、文化、教育等的聚集地，正在逐漸向融合歷史、藝術、人文的文化街區改造轉型。
The original building of the project is a high-rise building podium along the street. The single-story room is high and serves the residential area. It is adjacent to the surrounding shops. How to make the space full of possibilities and transform it into a small gallery that can regularly host high-quality art exhibitions, most of which require reservations. The gallery's facade is relatively closed, how to deal with the relationship between the closed facade and the city, and how to create an infinite extension of space in a limited space are the difficulties and focus of this project design.
劫塵畫廊項目原建築作為高層建築裙房的沿街商鋪，單開間挑高，服務於住宅區並與周邊商鋪相鄰，外立面觀感較為混亂，缺乏品質感，內部空間狹長單調。如何讓空間充滿更多可能性，將其改造成一個可以定期舉辦高品質藝術展的小型畫廊，大部分展覽需要預約。畫廊外立面相對封閉，如何處理封閉的立面與城市關係，如何在有限空間內營造空間無限延展是這個項目設計的難點與重點。
原建築外立面觀感較為混亂，缺乏品質感
內部空間狹長單調，利用率低
In consideration of maximizing the use of building space, the design team demolished shutters of the same size as the smoke exhaust windows of the original building and unnecessary walls in the space. The exterior facade was remodeled and opened along the street facade to maximize the complete display window. The weather-resistant steel plate was selected as the exterior wall material, combined with the old blue brick floor, to create an artistic entrance, and also provided sufficient exhibition space for the exhibition area in the gallery.
考慮建築空間面積的最大化利用，拆除了原建築與排煙窗尺寸相同的百葉窗以及空間內不必要的牆體。並對外立面重新改造，在沿街立面開口，以最大限度展現完整櫥窗。選擇耐候鋼板作為外牆材料，結合舊青磚地面，營造了一個具有藝術節奏感的畫廊入口，也十分巧妙地為畫廊內部展陳區域提供了充足的展示互動空間。
建築軸測圖
An entrance space was added to the reception to ensure the quietness of the exhibition hall. The design of the open space allows viewers to communicate and interact, and plays a role in guiding the flow.
入口接待處增設了玄關空間，保證了展廳的靜謐性，開放性空間的設計可供觀者進行交流互動，並起到引導流線的作用。
展廳一
展廳二
The exhibition space mainly uses black and white, forming a series relationship in color, which can better highlight the display content. In Hall 1, high-grade gray materials such as primary-color hot-rolled steel plates and black aluminum plates were selected to create a calm and elegant atmosphere. Hall 2 used white latex paint and fogged mirror stainless steel to create pure, soft tones, and overall The space uses white oak composite wood flooring, which distinguishes the exhibition area from elegant to soft interaction through lighting atmosphere.
展廳空間主要使用了黑與白兩種顏色，在色彩上形成串聯關係，也能夠更好地突出展示內容。展廳一在材質方面選擇了原色熱軋鋼板、黑色鋁板等高級灰色系材料，營造沉穩、高雅氛圍；展廳二則採用了白色乳膠漆、霧化鏡面不鏽鋼等材質，打造純淨、柔和調性，整體空間採用了白橡複合木地板，通過燈光氛圍區分了展廳區域從雅緻高級到柔和互動的切換。
夾層空間
In order not to damage the quality of the existing exhibition space, the gallery's office is represented by a raised mezzanine space, which includes a water bar counter and a reception room. While further dividing the space, it also guarantees privacy when socializing.
為了不破壞現有展示空間的品質，畫廊的辦公部分以挑高夾層空間的形式表現，夾層空間包含了水吧檯、接待間。進一步劃分空間的同時，也保證了洽談社交時的私密性。
In the semi-open mezzanine space, the viewer steps up and can enjoy the paintings in the mezzanine space or overlook the more open exhibition space. The mezzanine space realizes the natural circulation of indoor air without destroying the facade structure, and meets the needs of maximizing the use of the original space.
在半開放的夾層空間，觀者拾級而上，可在夾層空間欣賞畫作或俯瞰更加開闊的展廳空間。夾層空間在不破壞立面結構的基礎上，實現了室內空氣的自然流通，並滿足了原始空間最大化利用的需求。
In addition to differentiating the two exhibition halls by wall materials and colors, the interior area of the exhibition hall also uses different ceiling structures. The first exhibition hall is made of a combination of black metal mesh and black aluminum plate. . The overall space style is harmonious and unified, which also allows the viewers to pay more attention to the exhibits in the gallery.
除了通過牆面材質和色彩區分兩個展廳，展廳的內部區域還使用了不同的吊頂結構，展廳一以黑色金屬網、黑色鋁板等材質結合，呈現含蓄感，而展廳二則採用了燈膜與淺色質感塗料的組合，烘托乾淨通透的質感。整體空間風格和諧統一，也能讓觀者更多地關注展廳中的陳列品。
工字鋼板結構製作夾層樓梯
展廳牆面材質過渡
材質與細節
The interior materials and structures are handled in the cleanest way. Together with the simple landscaping, which can be focused on the gallery itself and the exhibits, as well as the artistic fit of the gallery and the surrounding residential and commercial areas.
室內材質與結構均以最為乾淨利落的方式處理，搭配去繁從簡的景觀造景，能夠將焦點聚集在建築本身與展品的純粹之上，亦表現在畫廊與周邊住宅商區的藝術契合。
原建築平面圖
一層平面圖
夾層平面圖
項目名稱: 太原劫塵畫廊改造設計
項目地址: 山西省太原市小店區晉陽街
設計面積: 150平方米
設計公司: 反幾FANAF
設計團隊: 萬軍傑、張旭、章振東
設計週期：2019.04-2019.06
施工週期: 2019.06-2019.11
後期攝影: 趙奕龍
Project title: Taiyuan Jiechen Gallery econstruction
Project site: Jinyang Street, Xiaodian District, Taiyuan, Shanxi
Interior area: 150 sqm
Renovation: FANAF Architects
Design team: Wan Junjie, Zhang Xu, Zhang Zhendong
Design scope: 2019.04-2019.06
Design cycle: 2019.06-2019.11
Author: Wen Xin
Photography: Zhao Yilong
反幾建築
FANAF
反幾事務所（FANAF)主要設計內容涵蓋建築、室內、景觀、傢俱等，並以舊建築改造為主要設計方向，長期關注城市空間更新與鄉村空間振興活動。舉一反幾，創造更多可能性。
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