西塘Næra良壤酒店從2015年底開始建築設計到2019年8月底開業，歷史四年半。良壤酒店是基於西塘地域建築的基本特徵創造一處避世寧靜的空間，在空間中融合當代藝術、茶道、花道、音樂、詩與表演藝術，並結合良壤有機生態村落所創造的有機飲食文化，目標是希望能重新塑造一個當代度假酒店的全新形象。
From the very beginning of design at the end of 2015, it took four and a half years for Næra Hotel Xitang to open to business in late August 2019. A tranquil place far from noise and crowds, drawing inspiration from the basic characteristics of Xitang’s local architectural culture, Næra Hotel is infused with contemporary art, tea ceremony, flower arrangement, music, poetry and performance art, and adopts the organic culinary culture created by the original eco-friendly villages in local area, with the aim of rebuilding a new image for modern resort hotels.
▼項目概覽，overall view ©井旭峰
▼酒店立面，hotel facade ©井旭峰
酒店位於西塘東區的核心區，西鄰西塘古鎮，東臨貞觀路，總建築面積4萬平米（其中地下2萬平米），建築圍繞約4千平米的水庭院-納良庭佈置著164間客房、接待、泳池、SPA、茶室、書吧、酒吧、國際會議中心（宴會大廳）、全日餐、日料餐廳。
▼鳥瞰圖，aerial view ©業主攝影師
Næra Hotel, occupying a total floor area of 40,000 square meters (with an underground area of 20,000 m2 ), is situated at the core area of the east district of Xitang, with Xitang Ancient Town to its west and Zhenguan Road to the east. It embraces 4,000-sqaura-meter Water Courtyard – Summer Courtyard, where 164 guest rooms, the reception area, the swimming pool, the SPA, the tea room, the reading room, the bar, the international conference center (banquet hall), the all-day dining restaurant, and the Japanese restaurant are available.
▼軸測圖，axon ©以靠建築
西塘傳統建築的基本元素是灰瓦白牆、青磚、木。古鎮河道密佈，街道狹窄。人流高峰期，遊客被遊客推著往前走，很少有可安靜休憩的空間。設計起初，我們的目標是為遊客提供一個與古鎮互補的空間狀態，古鎮是鬧的，良壤酒店是靜的。在古鎮裡逛累了的客人能在酒店能停下來，靜下來。
The traditional architecture in Xitang features such basic elements as grey tiles, white walls, blue bricks and wooden structures. The town is noted for its sophisticated network of riverways and narrow streets. During peak hours, tourists are too crowded to move smoothly and could hardly find a place to have a rest. Thus, our design starts out to fulfill a purpose, that is, to provide a space make it up in the ancient town. The hotel is a land of silence and peace located in a noisy and bustling town. Tourists who feel tired after touring around the town would be able to stop for a rest in the hotel.
▼園林景觀，a traditional garden landscape ©井旭峰
▼喧鬧古鎮中的安靜一隅，a peaceful place embedded in the noisy town ©章勇
▼遊廊，veranda ©章勇
▼水庭院，water courtyard ©章勇
儘管建築的風格要沿襲西塘古鎮的風格是硬性要求，但是我們不希望地域性只是個建築符號的表達，而是用傳統材料的演繹當代空間，用江南建築中常見的材料以院落和庭院的方式建築當代空間，在空間中引入光，讓空間具有時間和歷史的維度，即傳統又當代。
Although it is mandatory that the hotel’s architectural style should inherit that of Xitang Ancient Town, we do not want the local elements to be mere formality. Instead, we intend to use traditional materials to embody a modern space. We embedded courtyards and gardens built by traditional materials in regional architecture in South China to it, and let the light in, thus infusing a timely and historical perspective to the traditional yet modern space.
▼酒店入口，hotel entrance ©章勇
▼入口立面，entrance facade ©章勇
古鎮中，街道是遊客遊走的空間，是帶狀的，是河道與建築的邊界空間，是喧鬧的；在良壤酒店的一層，有漫步空間，是環狀的，是水庭院與酒店建築的邊界空間，是幽靜的，鳥語，水聲，客人可遊、可觀、可望，悠然自在。
The busy streets of the ancient town form the network of belts, which serve as the boundary between the riverways and buildings. In contrast, the ground floor of Næra Hotel where tourists can take a walk is ring-shaped space, which divides the water courtyard and hotel building. It is a tranquil place filled with the songs of birds and water, where tourists can have a walk, appreciate the landscape or enjoy sightseeing in a relaxed atmosphere.
▼水庭院與酒店建築的邊界空間，the walkway divides the water courtyard and hotel building ©井旭峰
▼交通節點，circulation node ©井旭峰
圍繞著水庭院，分別佈置景觀亭、圖書館、茶室、花房、酒吧，猶如傳統園林的亭、臺、樓、榭，因此建築的室內與室外的邊界被打破，互相滲透，互為依存；建築、人、水、樹的物理特性的邊界也被打破，互為景觀，所望之處皆為景；同時傳統與當代的邊界被打破，留白的牆、灰色的瓦、黑色的木條，來自歷史，“活”在當代；就連水庭院本身的歷史屬性和文化方位也被打破，既是東方的又是西方的，既是傳統的，也是當代的。
▼茶室，tea room ©井旭峰
▼1層接待區，1F reception ©井旭峰
▼1層書吧，1F library ©井旭峰
▼客房景觀，view from the guest room ©井旭峰
A sight-seeing pavilion, library, tea room, flower room and bar are well arranged around the water courtyard in a similar way as how pavilions, corridors, mansions and terraces are erected in a traditional Chinese garden. The water courtyard breaks the boundary between the indoor and outdoor, allowing the two spaces to penetrate into each other and become interdependent. The physical boundaries among the architecture, people, water and trees also disappear, forming a whole landscape. Tradition and modernity become united, with the white walls, grey tiles and black wood stripes from history living in a modern architecture. Even the historical characteristic and cultural position of the water courtyard is no longer restricted to being the traditional and oriental. Instead, it takes on the western and modern style.
▼客房庭院，courtyard of the guest room ©業主攝影師
▼會議中心公區，public area of the conference center ©井旭峰
▼游泳區，swimming pool ©井旭峰
行走其中，眼前的景猶如一幅長卷緩緩展開，讓客人彷彿遊走在畫中。空間中那些精心佈置的當代藝術品實際上也打破了建築功能屬性的邊界，既是酒店功能又是藝術品展示空間，既是文化地標又紮根於傳統生態鄉村，這是良壤酒店自身佈局的戰略。
Walking in the space, the tourists would feel like strolling in a painting, with layers and layers of landscapes unfolded before their eyes. The artworks decorating the space serve both the functional and aesthetic purposes, which echoes with the design concept of Næra Hotel – a cultural landmark taking root in the traditional eco-friendly Chinese town.
▼交通節點：劉建華《碑》+ 曲豐國《四季-春》 ，circulation node, with artworks by Jianhua Liu and Fengguo Qu ©井旭峰
▼空間細節，detailed view ©章勇
良壤酒店的設計過程中有政府對風格的硬性要求，有用地太小和規劃高度的限制。政府對風格的限制迫使我們思考地域性與當代性問題；用地大小的限制導致在造型上沒有可發揮的餘地，迫使我們思考如何做不以造型取悅人的建築。在設計的過程中得到了業主朱總和西總夫婦、室內設計師琚賓老師、景觀莊鎮光老師的支持和幫助，讓我在整個設計過程中不斷學習和成長，打破了很多過去認知的邊界，在此我特別向他們表達衷心的感謝！
We have to take into account the mandatory requirements of local government in our design, i.e. land size and planned height. The restrictions on architectural style imposed by the government prompted us to re-consider the local elements and modern concepts while the limited land leaves little room for us to pursue innovation in the architectural appearance, thus forcing us to create a building that does not impress people with its pleasant appearance. During our design, we received the support and help from the proprietor Mr. and Mrs. Zhu, interior designer Ju Bing and the landscape designer Mr. Zhuang Zhenguang. I have learned and benefited much from their generosity and went beyond the boundaries that limited my conception of architectural design. Here I would like to express my heartfelt thanks to them.
李以靠，2020/3/4, Shanghai
▼茶室夜景，tea room night view ©井旭峰
▼水庭院夜景，water courtyard night view ©井旭峰
▼遊廊夜景，veranda night view ©井旭峰
▼入口立面夜景，entrance facade night view ©井旭峰
▼酒店外觀夜景，hotel facade night view ©井旭峰
▼場地平面圖，site plan ©以靠建築
▼草圖，sketches ©以靠建築
項目名稱：西塘Næra良壤酒店
項目地點：浙江嘉善西塘古鎮
場地設計：李以靠、琚賓、莊鎮光、朱樹磊
室內設計：琚賓／水平線設計 Horizontal Design
建築設計：李以靠／以靠建築 Leeko Studio
景觀設計：莊鎮光／太璞設計 TOPO Design Group
藝術顧問：丁乙
燈光顧問：Albert Martin Klaasen / Klaasen Lighting Design
花藝師：上野雄次
攝影：章勇、井旭峰（除標註外）
建築設計團隊：黃偉、張德俊、陳愷麗、吳凱、廖望、邱小林、賈殿鑫
室內設計團隊：韋金晶、盛凌翔、楊奕溪、羅釩予、葛丹妮、郭達宇、聶紅明、胡凱、劉小琳、李俊樺、林建旭、全俊睿、張洛愷、謝剛、溫碧雲、莫志冰
景觀設計團隊：李鴻泰、陳凌峰、楊麗佳、孫少波、鄭思傑、耿大磊、金輝、李曉輝、方碧蓮、歐陽紅波
傢俱及產品設計：張軒榮、董世彧、張哲雄／水平線設計
機電顧問：林森、陳豔文、李海家、王嘉琳、劉皓爽、何婷／深圳市嘉石機電工程設計有限公司
駐場設計師：胡凱、李俊樺／水平線設計
藝術家名單（作品已展示於酒店）：丁乙、劉建華、曲豐國、薛松、蕭長正、鄭在東、徐冰、王一、蔣友柏、蘇暢、朴忠勳、羅發輝 、劉煒、劉大鴻、何多苓、楊福東、周春芽、薛峰、吳蔚
當地設計院：上海城凱建築設計有限公司
業主方：智杕控股 業主代表：陸朋 陳鑫
材料：玻璃、木質格柵、塗料、老青瓦、水磨石、木飾面、竹編
建築面積：40000㎡
設計時間：11/2015 – 10/2017
建造時間：10/2017 – 08/2019
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