近日，2020 Fairy Tales建築童話競賽公佈了最終獲獎者。Fairy Tales是全球第一個以故事講述建築設計的比賽，要求參賽者以童話故事的方式，對科技、人文、社會等問題進行探討。憑藉別開生面的方式，Fairy Tales吸引著全球建築藝術界的關注。
本次競賽共收到了來自65個國家的參賽作品，參賽者通過短篇童話故事和5張圖像來構建一個或現實或虛擬的世界，藉此探討有關環境破壞、暴力滋生、社會動盪等現在所面臨的生態與生存環境方面的問題。
正如本次競賽評委、LTL Architects的合夥創始人之一Marc Tsurumaki所說：“當我們的真實生活變得越來越不真實，（參賽作品的）童話裡包含的或黑暗或積極的故事核心就越讓我們產生共鳴。”
Fairy Tales建築童話故事競賽始於2014年，今年由主辦方Blank Space與Archinect、ArchDaily、Bustler合作組織。本次評委團由20多位業界頂尖的建築師、設計師、作家組成。通過評審團的意見，最終評選出一、二、三等獎各一項，以及11個榮譽提名獎。對於今年的評判標準，Blank Space創始人Francesca Giuliani指出：“在前幾年的獲獎作品中，關注的重點都在於通過他們編造的精美的故事來給予人們警告和啟示。今年，我們則更希望看到提出的解決方案。我們已經知道了地球存在的問題，現在我們想知道你如何應對它。”
獲獎作品
一等獎
沒有冬天的一年
The Year Without a Winter
設計：Tamás Fischer
and Carlotta Cominetti of Virginlemon
△ ©Tamás Fischer and Carlotta Cominetti of Virginlemon
我們創作之時故事的設定是，當這個世界被迫停止時，人類為了保護自己而不得不通過改變他們的生活方式，來應對隨時可能發生的未知狀況，比如急劇的氣候變化。我們逐漸意識到我們的故事背景與現代人的生活處境是如此的相似：被等待、無聊、孤獨、遺憾包圍著，社交媒體成了唯一的排解方式。
We wrote our story thinking about the moment when the world has to stop and people have to change their habits to avoid the collapse and to protect themselves from an unfamiliar event, like a very strong and sudden climate change. We now realise how our story can look like the situation the world is experiencing today: waiting, boredom, loneliness, regrets, social media as the only way out.
但我們實際上想要強調的是，一次危急的情況就可能會觸發事件實質性的轉折。這樣的時刻會讓人們換一種方式去思考和創造。當這次疫情發生之時，我們一直在討論關於命運轉折的事件，這也恰好成為了我們故事的主題。我們生活必將改變，並且是向好的方向發展。
But what we really wanted to highlight is how emergency situations can lead to a real turning point. Difficult situations lead people to think more and use their creativity differently. Since this pandemic started, we have been talking about a life-changing event, which is exactly the subject of our story. Our lives will change, but for the better.
—— Tamás Fischer and Carlotta Cominetti of Virginlemon
△ ©Tamás Fischer and Carlotta Cominetti of Virginlemon
二等獎
共生
SYMBIOSIS
設計：Aleksandr Čebotariov
and Laura Kuršvietytė
△ ©Aleksandr Čebotariov and Laura Kuršvietytė
我們的這個童話故事基於一個天真的想法，試圖解決我們正在經歷的種種生態、社會，以及生存層面上的危機。在資本主義驅使下，商業用地取代了森林，我們日常生活也逐漸迷失在了工作中。我們遺失了很多感官知覺，例如對自然生物的感知。
Our fairy tale is a naive attempt to address the issue of different kinds of crises we are experiencing - not only ecological, but social and existential as well. In the routine of everyday life, based on capitalism, we tend to lose ourselves to our jobs, our forests to fields and commerce. We forget our capabilities, such as senses, of our natural organisms, and manyother things.
我們主要的靈感來源是在第16屆威尼斯建築雙年展做志願者時接觸到的立陶宛館“沼澤學校”，以及它的設計者諾米達·烏爾博納斯和蓋迪米納斯·烏爾博納斯。之後在布魯塞爾的城市生活也同樣激發了我們的思考。
We were mostly inspired by The Swamp School, a Lithuanian pavilion at the 16th Venice Architecture Biennale, where we volunteered, its creators Nomeda and Gediminas Urbonai, and after that living in an urban environment of Brussels stimulated our thoughts, collected in Venice.
—— Aleksandr Čebotariov and Laura Kuršvietytė
△ ©Aleksandr Čebotariov and Laura Kuršvietytė
三等獎
華雷斯城的哭泣者
Lloronas of Juárez
設計：Albert Orozco and Edward Rivero
△ ©Albert Orozco and Edward Rivero
《華雷斯城的哭泣者》描述的是移民國家通過設立邊境政策對移民者，尤其是婦女兒童，持續地實施暴行。我們通過交叉分析，利用抗議藝術、歷史記載資料、景觀都市主義等手段，以邊境區域聯繫更緊密為願景，重構美墨邊境的可能性。具體來說，我們的作品旨在批判種族主義移民政策、性別意識形態，以及在邊境和監獄設計建造中存在的排外措施。
Lloronas of Juarez is a narrative of the ongoing violence against migrants, specifically women and children, that is enacted through national borders by settler-colonial states. Through an intersectional analysis, we leverage protest art, historical narrative, and landscape urbanism to re-imagine what the ecologies around the Mexico/U.S. border can become if we move toward more relational ways of connecting to the land. Specifically, our project critiques racist immigration policies, gendered ideologies, and xenophobic logics that converge in the design and construction of borders and prisons.
我們希望通過主人公們的鬥爭和反抗的故事，引發人們對於廢除美國專為囚禁移民者的拘留所的緊迫關注。我們也希望能夠與移民者、移民權益活動家、批判學者、藝術家、設計師，以及其他社會組織者們並肩，共同期待一個沒有邊境爭端的未來。
We call attention to the urgency of abolishing detention centers that imprison migrant communities throughout the United States through a story of struggle and resistance portrayed by the protagonists of the story. We hope to dream insolidarity with migrants, immigrant rights activists, critical scholars, artists, designers, as well as other community organizers, who continue to resist empire-building toward the development of a future without borders.
—— Albert Orozco and Edward Rivero
△ ©Albert Orozco and Edward Rivero
提名作品
USO-03 Unit A_Upstream Strategic Outposts
設計：Anton Markus Pasing
of Remote Controlled Studio
△ ©Anton Markus Pasing of Remote Controlled Studio
Rothiemurchus 2098
設計：Marie Walker-Smith
△ ©Marie Walker-Smith
Mickey's Mechanical House
設計：Ioanna Sotiriou & Maria Tsilogianni
of Studio Miwi
△ ©Ioanna Sotiriou & Maria Tsilogianni of Studio Miwi
Breath
設計：Therese Leick and Wilhelm Scheruebl
of Tab Collective
△ ©Therese Leick and Wilhelm Scheruebl of Tab Collective
Post-Reality Framework
設計：Stefano Stecchelli, Carlo Occhipinti,
Ilaria Caraffi, Francesco Bacci,
and Carlo Canepa of To Nowhere Studio
△ ©Stefano Stecchelli, Carlo Occhipinti,Ilaria Caraffi, Francesco Bacci, and Carlo Canepa of To Nowhere Studio
7121 Lonzo
設計：Eric and Eva de Broche des Combes
△ ©Eric and Eva de Broche des Combes
Ghostly Presence
設計：Jiawei Liang and Wei Wu
△ ©Jiawei Liang and Wei Wu
Active Ornament
設計：Lindsay Harkema
△ ©Lindsay Harkema
Purgatory
設計：Suada Dema
△ ©Suada Dema
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