加拿大溫哥華拍賣精品推薦——“中國億元八大名家真跡”！

加拿大溫哥華拍賣精品推薦——“中國億元八大名家真跡”！

為貫徹實施“文化惠民工程”，繁榮文化事業，積極響應提出的實現中華民族偉大復興的“中國夢”，中華文化促進會創意文化中心發起：億元書畫走進百姓家文化惠民工程，特邀八大名家嫡傳弟子創作《中國億元八大名畫真跡》。《中國億元八大名畫真跡》張大千、齊白石、徐悲鴻、李可染、傅抱石、吳冠中、黃胄、任伯年八大國畫宗師的得意弟子聯袂所作，他們的國畫功力卓越不凡，畫作水平令人歎為觀止。在“文化惠民工程”的感召下，同時也是為了致敬先師，打破了中國書畫藝術的“門派”藩籬，歷時一年嘔心瀝血首次聯袂演繹恩師的天價代表！

To implement "cultural huimin engineering", the prosperity of cultural undertakings, positive response to put forward the implementation of the "Chinese dream" of the great rejuvenation of the Chinese nation, the Chinese association for the advancement of the creative cultural center: one hundred million yuan of calligraphy and painting into the common people culture huimin engineering, specially invited eight famous ambitions to create "eight painting an original one hundred million yuan in China". Zhang daqian, qi baishi, xu beihong, li kelan, fu baoshi, wu guanzhong, huang zhou, ren bonian eight masters of traditional Chinese painting master's proud disciples together, their traditional Chinese painting skills extraordinary, painting level is breathtaking. Inspired by the "cultural project to benefit the people", it is also to pay tribute to the ancestors, breaking the barriers of the "school" of Chinese painting and calligraphy art. It took a year of painstaking efforts to interpret the sky-high price of the teacher for the first time!

崔安喜（徐悲鴻嫡傳弟子） 《馬到成功》

Cui anxi (direct disciple of xu beihong), ma dao cheng gong

《馬到成功》徐悲鴻是一致公認的中國現代美術基人，徐悲鴻的馬，可謂古今中外一人。清俊風發的身段，壯烈無謂的神采，是“真堪託死生，萬里可橫行”的獸中豪傑。這幅馬到成功圖，可以看出作者感受到了悲鴻大師的畫馬真諦，通過數十年的修煉，駿馬神采飛揚，處處蘊藏著一種探索征服、果敢創新的內質，噴發著強烈的陽剛之氣！具有極高的藝術價值和收藏價值。

"Ma dao cheng gong" xu beihong is unanimously recognized as the basis of modern Chinese art, xu beihong's horse, can be said to be ancient and modern Chinese and foreign a person. Qing jun fengfa figure, heroic senseless spirit, is "really worthy of death and life, ten thousand miles can run amok" beast hero. This picture shows that the author has felt the true meaning of the horse painted by master beihong. After decades of practice, the spirit of the horse flies high and contains a kind of inner quality of exploration and conquest, determination and innovation, and strong masculinity. Has the extremely high artistic value and the collection value.

劉知君（黃胄嫡傳弟子）《富水長流》

Liu zhijun (a direct descendant of huang zhou) was rich in water and flowing in rivers

《富水長流》黃胄大師的畫作極注重造型，線條粗狂、遒勁、氣勢磅礴。此幅《富水長流》筆墨淋漓盡致，一掃舊風。劉知君大師得其真傳，採用寫意潑墨與筆重彩相結合的獨特畫法，使他的繪畫充滿了靈性和神秘的遐思，具有極高的藝術價值和收藏價值。

The painting of master huang zhou, "rich water flows forever", attaches great importance to modeling. The lines are bold, vigorous and majestic. This picture "rich water flows" incisively and vividly, a sweep of the old wind. Master liu zhijun got his true biography. He used the unique painting method of combining freehand brushwork with splash ink and heavy color pen to make his paintings full of spirituality and mysterious reverie, which has a very high artistic value and collection value.

彭述超（任伯年嫡傳弟子）《松鶴延年》

Peng shuchao (lineal disciple of ren bonian), pine and crane yannian

彭述超（任伯年嫡傳弟子”、“長青”等美好的願望。本作品是海派畫作的代表作，畫中一株古松，枝繁葉茂，如銅似鐵般的傲然挺立。

Peng shuchao (lineal disciple of ren bonian), "changqing" and other good wishes. This work is a representative work of Shanghai school of painting, in which an ancient pine tree with luxuriant branches and leaves stands proudly like copper and iron.

李茂森（李可染嫡傳弟子）《萬山紅遍》

Li maosen (lineal disciple of li keran), "all hills are red"

《萬山紅遍》李茂森大師是國畫大師李可染嫡傳弟子，深得其真傳實諦。其山水畫，重視意象的凝聚，所作的山水畫意境，講究從無到有，多取材於祖國名山大川，他的山水大氣磅礴，又不失幽美秀麗，他純樸、醇厚的北方人性格，又使他的山水風格溶入樸素與深沉的特點。因為這些特點，李茂森大師被業內譽為“中國當代最具收藏潛力的書畫家之一”。此次李大師創作了一幅四尺山水《萬山紅遍》圖！

Master li maosen, the direct disciple of master li keran, is deeply rooted in the truth and truth of his works. His landscape painting attaches importance to the aggregation of images, and the artistic conception of his landscape painting pays attention to starting from scratch, and is mostly based on the famous mountains and rivers of the motherland. His landscape is majestic, yet beautiful. His simple and mellow northern people's character also makes his landscape style blend with the characteristics of simplicity and depth. Because of these characteristics, master li maosen was praised as "one of the most potential contemporary Chinese painting and calligraphy collection" by the industry. This time master li created a four-foot landscape "all over the world" map!

劉海清（張大千嫡傳弟子）《一路連升》

Liu haiqing (legitimate disciple of zhang daqian), liansheng all the way

《一路連升》張大千嫡傳弟子劉青海筆下的一夕蓮荷好似仙境中來，若隱若現，此畫在筆墨色水以及佈局方面俱佳，黑色蓮葉自遠而近層次分明，濃淡恰到好處，其畫風技巧完全繼承了大千畫荷風範。象徵著仕途一路連升，富貴吉祥。

"All the way to liansheng" zhang daqian's disciple liu qinghai wrote a night lotus like fairyland, looming, this painting in ink color water and layout is good, black lotus leaves from far and near the hierarchy, the shade is just right, its painting style skills completely inherited the style of daqian painting lotus. Symbolizes the official career all the way up, wealth and good luck.

步雲子（齊白石嫡傳弟子） 《祥龍獻瑞》

Bu yunzi (direct disciple of qi baishi) xianglong xianrui

步雲子（齊白石嫡傳弟子）《祥龍獻瑞》齊白石畫蝦可說是畫壇一絕，靈動活潑，栩栩如生，神韻充盈，齊派畫蝦，來自生活，卻超越生活，大膽概括簡化，更得傳神。這幅《祥龍獻瑞》看得出得到齊派畫蝦的真傳，既能巧妙地利用墨色和筆痕去表現蝦的結構和質感，又以富有金石意味的筆法描繪蝦鬚和長臂鉗，剛柔並濟，凝練傳神。蝦，有“小龍”之意，寓意祥龍獻瑞。

Step cloud child (qi baishi direct disciple) "xiang long xianrui" qi baishi painting shrimp can be said to be a unique painting world, lively, lifelike, full of verve, qi school painting shrimp, from life, but beyond life, bold generalization and simplification, more vivid. This painting "xiang long xianrui" can see the true biography of qi school painting shrimp, which can not only skillfully use ink color and pen marks to express the structure and texture of shrimp, but also depict the shrimp whiskers and long arm forceps with golden and stone-like brushwork, combining firmness and softness, concise and vivid. Shrimp, have the meaning of "little dragon", meaning auspicious dragon xianrui.

孫華英（傅抱石嫡傳弟子）《傲雪紅梅》

Proud snow red plum by sun huaying (direct disciple of fu baoshi)

《傲雪紅梅》梅花在中國傳統文化具有堅韌不拔、不屈不撓等人文寓意，位列國畫題材“四君子”之首，亦是及物抒情的“歲寒三友”之一。孫華英大師的傳統繪畫功底紮實，擅長用墨，精於點法，但不固定程式，善於融匯諸葛家卻從不刻意效仿他人風格。這幅《傲雪紅梅》表現在畫作上元氣淋漓、格調高雅、意境雋永。

"Proud snow red plum" plum blossom in traditional Chinese culture has the indomitable, indomitable and other cultural implications, the subject of traditional Chinese painting "four gentlemen" first, is also the transitive lyrical "three friends of the cold". Master sun huaying has a solid foundation in traditional painting. He is good at using ink and point method, but he is not fixed in formula. He is good at integrating various masters, but he never deliberately imitates others' styles. This "proud snow red plum" in the painting on the vitality dripping, elegant style, artistic conception meaningful.

孔培明（吳冠中嫡傳弟子）《滿載而歸》

Kong peiming (direct disciple of wu guanzhong), return with a full load

《滿載而歸》孔培明大師的作品有諄諄的中國古典文化意境參透其中，但從繪畫的技法來看，則又深深地打上“吳冠中式”的烙印。一貫的吳式墨線，在蜿蜒中迂迴變化著濃淡粗細；一貫的吳式色塊，在分割中曲折交替著深淺沉浮。足可見證作者對江南水鄉那份真摯的情懷。

The works of master kong peiming in "full load and return" have the earnest and earnest Chinese classical cultural artistic conception to see through them, but from the perspective of painting techniques, they are deeply stamped with the brand of "wu guanzhong style". Consistent wu type ink line, in the winding in a roundabout change in thickness; Consistent wu type color block, alternating the depth and depth of ups and downs in segmentation. Enough to witness the author of the jiangnan water township that sincere feelings.