中华人民共和国成立71周年来临之际，我们特别推出著名爱国艺术家刘克冰爱国拥军专题展播，接下来跟随我们的镜头走进刘克冰老师的艺术世界，感受这份浓重的爱国心赤子情。
On the occasion of the 71st anniversary of the founding of the founding ceremony of the People's Republic of China, we present a special exhibition on patriotic artist Liu kebing's patriotic army support, to feel this deep sense of patriotism.
艺术简介
刘克冰 字乃公。1932年出生北京，1952年毕业于河南美专。一生从事美术教育，国家一级美术师。是当代在诗词，书法，国画三方面均获多项终身成就奖的实力派艺术家。 诗、书、画三者相辅相成，共同造就了刘克冰的艺术世界。
刘老师从国画大师李可染和何海霞先生，其山水画意境深远，极具神韵，气势磅礴，笔墨凝重；书法习王羲之和文徵明等文稿，以意赋形，形意结合，行云流水，飘逸洒脱，更形成自己独有的兼容篆隶楷行草的书法风格。其自幼习诗，深受北大教授父亲刘肃章的熏陶，诗词作品讲究格律，情真意切、文采斐然。
精深的艺术涵养，渊博的学识，形成了他诗书画并重，传统与现代高度融合的美好风格。其诗词被录入《中国历代诗词家辞典》和《中国古今绝句选》。多幅书画作品被选入《中国艺术百年》…等刊物。被评为＂中国最具传奇色彩艺术家＂，最具关注价值艺术家…”。近年来，其书法作品尤为广泛关注。
如今，刘克冰先生已近90高龄，他为艺术投入了毕生心血， 他的书画作品反映了他的艺术人生，具有很高的艺术欣赏和收藏价值。
刘老在西安和上海等地举办的个人书画展，得到国内外文化界的广泛关注和赞赏。其百余幅书画作品被海内外文化机构和文化友人收藏！
A brief introduction to the art of Liu Kebing. Born in Beijing in 1932, he graduated from Henan American College in 1952. He has been engaged in art education all his life. He is a national first-class artist. Is Contemporary in poetry, calligraphy, Chinese painting three aspects have been awarded a number of life-long achievements of the strength of the artists. Poetry, calligraphy and painting complement each other and together create the artistic world of Liu kebing. From the masters of Traditional Chinese painting such as Li Keran and he Haixia, Liu's landscape paintings are profound, full of Verve, magnificent and dignified in style; from the calligraphy of Wang Xizhi and Wen Zhengming, they combine form with form, flowing water and flowing clouds, elegant and free and easy, it also forms its own unique calligraphy style compatible with seal, official>
作品欣赏：
老夫喜作黄昏颂
满目青山夕照明
文 / 周金彪
耄耋之年的老画家刘克冰先生，主攻山水，兼工花鸟。不仅如此，刘老先生诗、书、画皆成就斐然。其精湛的造诣一是出自书香门第、缘于父亲（原北大教授刘肃章）的严教，二是师从谢瑞阶、李可染、何海霞三位大师时所获真传，三是“博观而约取，厚积而薄发”的结果。
先生三岁始在其父的启蒙下吟诗临帖，1952年时毕业于河南美专，随后来西安教学，从事了50多年的美术教育工作。先生活到老学到老，笔耕不辍，学养深厚，品格高尚。因而在评论或欣赏他的画作时，我认为须先从其诗、书谈起方能始有所悟。
“岁末初睁眼，凌寒灿若金。飒然风霜里，清气满乾坤。”五绝《菊颂》，此诗当可看出先生对生活的乐观感受。其《登临曲》“华山近帝京，登临惊崔巍。悬象山青岫，巅峰接紫虚。林深说道器，云起群鸢飞。谁持干戚舞？申时携剑归。”足能说明先生深谙中国古代哲学范畴的“道”“器”之辩，其中“谁持干戚舞？”假陶渊明“猛志固常在”以抒发自己“老骥伏枥，志在千里；烈士暮年，壮心不已。”的昂扬情怀。在七律《砚边诗话•读金禄诗词有感》中有“每凭字句动魂魄，莫道诗词逊孔方。”的诗句，凸显了先生对学养的追求和对拜金主义的不屑。其七律赠挚友：“黉下忆昔读华章，他山伊水有余响。人间正气塞苍莽，世间奸邪坠洳场。百年潮汐石可烂，千秋风雨诗韵长。不忘同舟共楫日，犹效子瞻唱大江。”表现出了先生一身正气以及如苏轼一样的豪迈与旷达。
看过刘克冰书法的人都知道，先生犹以行草为胜。先生习王羲之，文徵明文稿，以意赋形，形意结合，行云流水，飘逸洒脱；其章法严谨却毫不古板，笔法遒劲又不失灵动。其风格十分明显：变化多端而又凝重大气。所谓“腹有诗书气自华”，先生的书法恰能体现出其“文以载道”的气质与气概。
对于山水画家刘克冰先生来说，诗、书、画三者相辅相成，共同造就了他的书画世界。先生以他从容、舒缓、通达的笔墨，以及浑厚、静远和广大的布局，充分表达出一个思想者的文化情绪。气韵独到的山水意境、师古不泥的笔墨技法，深得李可染、何海霞之韵意；墨色层出、意境万千的艺术风貌，又完美呈现出传统山水之精髓。先生为艺术创作投入了毕生心血，他的书画作品在独自潜修的自我超然之中，更加圆熟老辣、浑然天成。他的作品既有古雅的趣味，又有现代的情怀，苍茫的历史感从画面上喷涌而来，把观者罩在一个历史与现代交汇的时空中，使人们体验着宇宙的静止与运动的辩证之意境。谢赫六法中的“气韵生动”是先生山水画的毕生追求，也是他的典型特点。一个没有经过深厚的文化熏陶的画家，是难以企及此种境界的。
在创作过程中，刘克冰常常以自然形态为依托，取天地苍茫之气象，因心造境、因物造境、因材料造境，打破了传统的笔墨成法，改变了固有的皴擦点染程式。他甚至有意忽视“山水”这个概念，而从艺术本质出发，消解山水的地域性和具体性而取其本质，通过看似随意的点线面变化，把山水画的视觉语言带入了一个宽阔的场地。对画家来说，山川丘壑的布局早已经了然于胸，哪些应该突出，哪些应该忽略都已经非常清楚。然而落实到画面上，却又抛弃了一些具体物象，如山石、树木、亭榭等，而取其笔墨本质。他完全关注绘画本体语言，仅仅依靠酣畅淋漓的笔墨和写意精神，把这些艺术元素重新组合在一起。正是所谓“外师造化，中得心源”的具体体现。
说到此，刘克冰先生的诗、书、画似乎恰可用另一种意义上的“精”、“气”、“神”来比喻。诗歌是他精神世界最具文化精髓的代表，书法是他文人气质气概的凸显，绘画则是他因“画有担当”神圣使命感而常有神来之笔的展现。记得年逾80高龄刘老先生常提起老师何海霞先生于绘画常说的一句话：“八十起步”因而我想起了人称儒帅叶剑英元帅的七律《八十抒怀》，用叶帅的诗作为这篇文章的结尾，以诗中的结尾作此文的题目，我认为是在恰当不过的了—— 叶剑英《八十抒怀》
八十毋劳论废兴，
长征接力有来人。
导师创业垂千古，
侪辈跟随愧望尘。
亿万愚公齐破立，
五洲权霸共沉沦。
老夫喜作黄昏颂，
满目青山夕照明。
Old Master Liu Kebing, an old painter in his 80s, specializes in landscapes and works on flowers and birds. Not only that, Mr. Liu's poetry, calligraphy, painting are outstanding achievements. His superb attainments came from his scholarly family and his father (Liu Suzhang, a former professor at Peking University) , Yan Jiao, as well as from the true teachings of Xie Ruijie, Li Keran and he Haixia, three great masters, third, "broad view and about, thick product and thin hair" the result. He graduated from Henan Art College in 1952, and later came to Xi'an to teach, engaged in more than 50 years of art education. Mr. Life to the old learning to the old, pen-farming, deep learning, noble character. Therefore, when commenting on or appreciating his paintings, I think we should start from his poems and books before we can have an understanding of them. "At the end of the year, I opened my eyes. Ling Han can be gold. Sa Ran Feng Shuang Li, Qingqi Man Gan Kun. " Five unique "Ju Song" , this poem when you can see the optimistic feeling of life. His "boarding song" , "near the emperor of Mount Hua, boarding Cui Wei. Hanging Elephant Mountain Green Xiu, purple virtual peaks. Lin Shen said, the clouds rise and the kites fly. Who holds the GANQI DANCE? Shenshi returned with his sword. " It shows that he is well versed in the debate of "Dao" and "Qi" in the category of ancient Chinese philosophy, among them, "who holds the GANQI DANCE? " False Tao Yuanming "Mengzhiguchangzai" in order to express his "old prime minister, ambition in thousands of Li; martyr old age, strong heart. In the Qilu Poem "Yan Bian Shi Hua" , there are "every word moves the soul, Mo Dao's poetry is inferior to Kong Fang. " The poem highlights his pursuit of education and his disdain for money worship. Its seven laws to his best friend: "The next memory of the past chapter, He Shan Yi water more than ring. ". The world is full of righteousness, and the world is full of evil. Century tide stone can be rotten, thousands of wind and rain rhyme length. Do not forget to share the same boat day, still effective son sang the river."showed that Mr. a body of integrity and as bold and broad-minded as Su Shi.". Anyone who has seen Liu kebing's calligraphy knows that he still wins by running grass. Mr. Xi Wang Xizhi, Wen Zhengming's manuscript, with the meaning of shape, form and meaning combination of flowing water, elegant and free and easy; its rules are rigorous but not rigid, the writing style is strong and flexible. Its style is very obvious: Changeable and heavy atmosphere. The so-called "poetry and calligraphy from China" , Mr. Calligraphy can reflect its "literature to carry the way" temperament and spirit. For landscape painter Liu Kebing, poetry, calligraphy and painting complement each other and together create his world of calligraphy and painting. With his calm, slow, accessible writing, as well as vigorous, calm and broad layout, fully express a thinker's cultural emotions. The unique artistic conception of mountains and waters and the unique technique of painting and ink, which are inspired by Li Keran and he Haixia, perfectly present the essence of traditional mountains and waters. Mr. a devoted his life to art creation, his paintings and calligraphy work in the self-detachment of self-cultivation, more mature and sophisticated, seamless nature. His works are both quaint and modern, with a vague sense of history pouring from the screen, enveloping the viewer in a space-time where history meets modernity, it makes people experience the dialectical artistic conception of the quiescence and motion of the universe. The "vitality and vividness" in Sheikh's six methods is his lifelong pursuit of landscape painting, and also his typical characteristics. It is difficult for a painter who has not been deeply influenced by culture to reach this kind of state. In the process of creation, Liu kebing often relies on the natural form and takes the boundless atmosphere of the world. He breaks the traditional method of writing and changes the intrinsic formula of rubbing and dyeing. He even deliberately ignored the concept of "landscape" , starting from the essence of art, dispelling the regionality and concreteness of landscape and taking its essence by seemingly random changes of points, lines and surfaces, the visual language of landscape painting into a wide field. For the painter, the layout of the mountains and valleys is already clear in his mind, which should stand out and which should be ignored. However, to the screen, but also abandoned some specific objects, such as rocks, trees, pavilions and so on, and take its essence of ink. He paid full attention to the NOUMENON language of painting, only relying on the flowing ink and freehand spirit to put these artistic elements together again. Is the so-called "outside the division of fate, in the heart of the source, " the specific embodiment. Speaking of this, Mr. Liu Kebing's poetry, calligraphy, painting seems to be able to use another sense of "Jing" , "Qi" , "God" to metaphor. Poetry is the most quintessence of his spiritual world, calligraphy is the highlight of his literati temperament, and painting is the display of his divine sense of mission. I remember Mr. Liu, who is over 80 years old, often mentioned a phrase that his teacher, Mr. He Haixia, used to say in painting: "starting at 80, " so I thought of the seven laws, "eighty, " which is called Marshal Ye Jianying, it is fitting, I think, to conclude this essay with Ye Jianying's poem, as if it were a continuation of the Long March. The Mentor is immortalized, the generation follows the humble dust. Hundreds of millions of Yugong stand together, the power of the five continents sink together. I like to sing songs at dusk, and the Green hills glow in the dark.
