吳昌碩（1844年8月1日—1927年11月29日），初名俊，又名俊卿，字昌碩，又署倉石、蒼石，多別號，常見者有倉碩、老蒼、老缶、苦鐵、大聾、缶道人、石尊者等。浙江省孝豐縣鄣吳村（今湖州市安吉縣）人。晚清民國時期著名國畫家、書法家、篆刻家，“後海派”代表，杭州西泠印社首任社長，與厲良玉、趙之謙並稱“新浙派”的三位代表人物，與任伯年、蒲華、虛谷合稱為“清末海派四大家”。
他集“詩、書、畫、印”為一身，融金石書畫為一爐，被譽為“石鼓篆書第一人”、“文人畫最後的高峰”。在繪畫、書法、篆刻上都是旗幟性人物，在詩文、金石等方面均有很高的造詣。吳昌碩熱心提攜後進，齊白石、王一亭、潘天壽、陳半丁、趙雲壑、王個簃、沙孟海等均得其指授。 1927年11月29日，吳昌碩逝於上海寓所。
藏品介紹
中文名稱：吳昌碩青綠山水畫
英文名稱：Wu changshuo green landscape painting
規格：一幅
類別：字畫
品相：收藏級
在書法界：氣關筆力，墨關韻彩，意存筆先，整幅作品小喬流水，左上提字：觀瀑享自在踏歌樂逍遙安吉，吳昌碩。書寫筆力老道，有如篆刻，而吳昌碩正是以篆刻為名，刀法獨到是當時的代表性人物。
這幅作品採用了多種礦石顏料，這也是為什麼字畫歷經歲月依然豔麗如初的原因，青草採用了孔雀石研粉，畫作做青山，紅葉用赭石研粉作畫為葉為袖，人物上衣用了天藍色的綠松石研粉作畫，古代是一個慢節奏的社會，畫家會有更多的時間用於創作，往往一副精品耗時數十天甚至幾個月。
圖中人物行走在拱橋上，手臂甩幅非常誇張，因為古代君子行為舉止都不易過大，而此畫中動作幅度極大，書寫著作者拋開約束，性情愉悅舒暢，這種快樂是可以通過作品來傳染的，小編看到此畫心中毫無壓力，身心愉悅，很想出去走走踏青。
這部分是圖中人物即將要到達的一塊草地，青草表面平整，帶有紅葉，讓人想留下來小憩一會的衝動，而繼續行走將要轉彎，寓意著你想要繼續高升，必須要有所改變，提升。
如果你滿足於眼前，可能就在這片青地上度過，如果改變轉彎行走，你將會有更高的成就，最終目的有一套房子，給整個圖一個鮮明的寓意，作者表述著當時愉悅的心情走在春光大道上，有著更好的前景，步步高昇。
少年時他因受其父薰陶，即喜作書，印刻。
學顏魯公，繼學鍾元常；隸書學漢石刻；篆學石鼓文，用筆之法初受鄧石如，趙之謙等人影響，以後在臨寫《石鼓》中融匯變通。行書得黃庭堅、王鐸筆勢之欹側，黃道周之章法，箇中又受北碑書風及篆籀用筆之影響，大起大落，遒潤峻險。
吳昌碩篆刻從“浙派”入手，後專攻漢印，也受鄧石如、吳讓之、趙之謙等人影響，善於留白，或對角欹斜，氣象崢嶸，構圖塊面體積感極強。刀融於筆，篆刻雄而媚、拙而樸、醜而美、古而今、變而正。上取鼎彝，下挹秦漢，以“出鋒鈍角”的刻刀，將錢松、吳攘之切、衝兩種刀法相結合治印。
吳昌碩在繼承前人衝刀法和切刀法優秀成果的基礎上，融諸家之長，在大量的篆刻創作實踐中，不斷探索，將衝刀和切刀兩種刀法融合在一起，形成了自己的衝切結合的刀法。這種刀法靈活多變，或衝中帶切，或切中帶衝，甚至切中帶削……這種多變的刀法，把衝刀的猛利、挺勁、爽快與切刀的含蓄、渾樸融為一體，將書意和刀意表現得淋漓盡致，使他的篆刻刀法雄渾樸茂中寓秀逸的個性化特點凸現了出來。他與厲良玉、趙之謙並稱“新浙派”的三位代表人物。
這是整幅畫的盡頭,畫中人物將行至此處，畫的盡頭，背景用淡墨虛化，與瀑布之白水形成對比，給人云霧繚繞之感，甚是仙境一般。
吳昌碩的青綠山水是很少見的，其收藏價值不可估量，此圖可謂是畫中瑰寶。
魏啟後（1920年—2009 年12月9日），男，1920年生於山東濟南，書法家。作為山東書法藝術的領軍人物，魏啟後先生對當代山東的書法發展產生了重要的影響，許多後學，都得到他藝術探索的沾溉。他的藝術成就，獲得了廣泛的社會認同，贏得了良好的國際聲譽。
曾任中國書協理事、中國書協創作評審委員會委員、山東書協副主席、中國國際友好聯絡會山東分會理事、濟南市政協常委、濟南畫院顧問、濟南詩詞協會副會長等職。生前系省書協名譽主席、山東畫院顧問。
藏品介紹
中文名稱：魏啟後書法
英文名稱：Wei qihou calligraphy
規格：兩幅
類別：字畫
品相：收藏級
種竹雙鳳尾栽松老龍鱗
字面意思：栽竹子，竹子都長得如同鳳尾；種松樹，松樹上知都有龍鱗般的樹皮。出現鳳尾和龍鱗，大概就是指竹子和松樹種得比較好的時候才有道的形態。
實際含義：做什麼事都做得很好。
魏啟後先生在書法繪畫藝術上浸淫七十年，取得了巨大的成就。他的書法一方面取法晉唐宋元的經典藝術語言，具備極其深厚的傳統功力；另一方面，他又取法20世紀以來出土的兩漢簡牘，富有極其濃厚的創新意識。他的行草書創作和章草書創作，在筆法、字法、章法和墨法等各個方面，都突破了前代書法家的樊籬，形成了自己濃厚的個人風格。他將米字行書和兩漢簡牘書有機糅合而自創新體，是當代書法對書法藝術歷史發展的重要貢獻。
魏啟後老師的書畫一撇，一提，有如單刀插入，筆力非常，氣勢凌人，它的懸針豎有如懸崖峭壁。
落款是用的老硃砂，非現代化工原料，款型規整，經專家鑑定為魏老師真品無疑。
不依古法但橫空
範洪【作家、畫家、美術評論家】
現代中國書壇，魏啟後先生是我素來敬仰的一代大師。我曾兩次拜訪先生不遇，從而失去了面鈴先生教誨的機會。
書法藝術，人品高，學問富，下筆自然了無纖塵。高尚的人格，深厚的文化修養，是魏先生書法藝術的根本。他將人品、學問、才情、思想融入書畫中，故他的書法、繪畫格高韻美，超逸脫俗。
“乾坤容我靜，名利任人忙。”鍾因內空而聲遠，竹涉心虛方高節。魏先生曾在文章裡寫道：“‘世事滄桑有公理，心書心畫自可人’。澄懷見獨，惟求心安，筆墨適意，任性所為……”顯示了他不慕虛名，不尚祿利，淡泊閒適的良好心態。很多人勸他的書法漲價，先生不肯，他說：我的字就是要讓老百姓買得起。
書法當有神采，有氣度，韻致雅，意趣深邃，回味悠長。魏啟後先生的書法取法乎上，體悟了魏晉人的審美意識和風尚，研讀由隸變楷的鐘王筆法，並秦漢魏晉唐宋元以來的優秀經典碑帖。一生臨帖讀書不輟，寒暑不移，至老彌篤。他獨出心裁，自抒性靈，將漢簡筆法，融入到行、草書的藝術創作中去，形成了自己的書法藝術風格。
山，刺破青天鍔未殘。天欲墮，賴以拄其間。
這句名言來自於1934年湘江之戰，紅軍雖突破了國民黨軍隊設置的第四道封鎖線，但付出了極其慘重的代價。在翻山越嶺的行軍途中，毛澤東寫下《十六字令三首》：山，快馬加鞭未下鞍。驚回首，離天三尺三。山，倒海翻江卷巨瀾。奔騰急，萬馬戰猶酣。山，刺破青天鍔未殘。天欲墮，賴以拄其間。
原中國書法家協會理事、山東省書法家協會名譽主席、著名書法家魏啟後先生因病醫治無效，於09年12月9日12時5分在濟南逝世，享年90歲。
目前藏家喜歡收藏去世的近代畫家，因為不可再生，價值飆升，而這幅作品正是魏老師巔峰時期之作，是魏老師壓箱底的寶墨，收藏靠緣分。
英文翻譯：Not according to the ancient law but horizontal sky
Fan hong [writer, painter, art critic]
In the modern Chinese literary circle, Mr. Wei qihou is a great master whom I have always admired. I had two visits to Mr.
Calligraphy art, high character, rich learning, writing without dust. Noble personality and profound cultural accomplishment are the foundation of Mr. Wei's calligraphy. He will character, knowledge, talent, thought into the painting and calligraphy, so his calligraphy, painting case high charm beauty, detached from the vulgar.
"Heaven and earth let me quiet, fame and fortune busy. Because the clock is empty and sound far, bamboo guilty square high section. Mr. Wei once wrote in the article: "' the vicissitudes of the world have justice, the heart of the heart painting from the calligraphy. Clear huai see alone, but for peace of mind, pen and ink congenial, capricious......" It shows that he does not admire a false reputation, not the benefit of money, indifferent to the good attitude of leisure. Many people advised him to raise the price of his calligraphy, but he refused.
Calligraphy should have spirit, bearing, charm, deep interest, long aftertaste. Mr. Wei qi-hou's calligraphy style is a great way to understand the aesthetic consciousness and fashion of the jin people in wei dynasty, to study the style of zhong wang's writing which changed from li to kai, and the excellent classic inscription from qin, han, wei, jin, tang, song and yuan dynasties. Life of reading without dropping, heat and cold does not move, to the old mi du. He is unique, self-expression of the spirit, the han jian brushwork, into the line, cursive art creation to form his own style of calligraphy
Mountain, punctured green croe not damaged. Heaven fall, rely on them.
The famous phrase comes from the battle of xiangjiang in 1934, when the red army broke through the fourth blockade set by the kuomintang army, but paid a heavy price. On the way of marching over mountains and mountains, MAO zedong wrote the "sixteen words command three" : mountain, the horse did not get off the saddle. Look back, three feet from three days. Mountains, the sea and the river. Galloping horses fight furiously. Mountain, punctured green croe not damaged. Heaven fall, rely on them.
Mr. Wei qi-hou, former director of Chinese calligrapher's association, honorary chairman of shandong calligrapher's association and famous calligrapher, passed away in jinan at 12:05 on December 9, 2009, aged 90 years old.
At present, collectors like to collect dead modern painters, because it is not renewable, the value of soaring, and this work is the peak of teacher wei's work, is the treasure of the box at the bottom of teacher wei, collection by fate. Wu changshuo (August 1, 1844 -- November 29, 1927), early name jun, also known as jun qing, word changshuo, and department cangang stone, cangshi, many other names, common people are cangshuo, Lao cangang, old fou, bitter iron, big deaf, fou daoren, stone, etc. People from zhang wu village, xiaofeng county, zhejiang province (today's anji county, huzhou city). Famous Chinese painter, calligrapher, seal cutter, representative of the "post-shanghai school", the first President of hangzhou xiling printing society, and li liangyu, zhao zhiqian as the three representative figures of the "new zhejiang school", together with ren bonian, pu hua and xu gu as "the four masters of the Shanghai school in the late qing dynasty".
His collection of "poetry, calligraphy, painting, printing" as a whole, the melting of calligraphy and painting for a furnace, known as "the first shichu seal>
The collection is introduced
Chinese name: wu changshuo green landscape painting
English name: Wu changshuo green landscape painting
Specification: one piece
Category: calligraphy and painting
Photo: collectible
In the calligraphy field: qi guan pen, ink off yun color, meaning to save the pen first, the whole work of xiao qiao water, on the left hand hand: view organ enjoy free and unfettered song music anji, wu changshuo. Writing skills, like seal cutting, and wu changshuo is the name of the seal cutting, unique knife is the representative of the characters at that time.
This work USES a variety of mineral pigments, which is why the calligraphy and painting after years still gorgeous as malachite green grass adopted grind powder, castle peak, paintings do red leaves with ocher grind powder paint for leaf for sleeve, character coat with a sky blue turquoise grind powder painting, is a slow tempo society, ancient painters will have more time for creation, often a pair of high-quality goods spent dozens of days or even months.
Characters in figure walking on the arch bridge, his arm very exaggerated, because the ancient gentleman has not too big, behavior and movement range greatly in painting, writing the author throw constraints, character cheerful comfortable, this kind of happiness can be transmitted through work, small make up saw this picture thought no pressure in the heart, body and mind cheerful, very want to go out for a walk for an outing.
This part is a piece of grass that the figure in the picture is about to reach. The grass surface is smooth, with red leaves, which makes people want to stay and have a rest for a while. But if you continue to walk, you will turn.
If you are satisfied with the present, you may spend your time on this green land. If you change the turn and walk, you will have a higher achievement. The final goal is to have a house.
Influenced by his father in his youth, he liked to write and stamp books.
Learn yan lu gong, then learn zhong yuan chang; Li calligraphy learned Chinese stone carvings; Influenced by deng shiru, zhao zhiqian, etc., the method of using the pen in the initial study of zhuan stone drum, later in the "stone drum" in the fusion. Running>
Wu changshuo seal cutting from the "zhejiang school", after specializing in han seal, but also by deng shizu, wu renzhi, zhao zhiqian and other people, is good at white space, or diagonal interdicted oblique, high weather, composition of a strong sense of volume. The knife melts in the pen, seal cutting male and charming, clumsy and simple, ugly and beautiful, ancient now, and change. Taking ding yi from the top, qin and han from the bottom, with a "blunt edge" carving knife, the combination of qian song, wu huazhi cut, blunt two knife methods.
Wu changshuo, on the basis of inheriting the excellent achievements of the punching and cutting methods of his predecessors, integrates the strengths of various families, and continuously explores the two methods of punching and cutting in a large number of seal cutting practices, so as to form his own punching and cutting method. This kind of knife method is flexible, or punch with cutting, or cut with punching, or even cut with cutting...... This kind of changeful knife method, blunt knife of fierce benefit, very strong, straightforward and cut the implicature of the knife, simple and simple be in harmony with an organic whole, will book meaning and knife meaning show incisively and vividly, make his seal cutting knife method vigorous muddy pumaomao in the elegant individuality characteristic protruding come out. Together with li liangyu and zhao zhiqian, he is the representative of the "new zhejiang school".
This is the end of the painting, where the characters will go. At the end of the painting, the background is blurred with light ink, which forms a contrast with the white water of the waterfall, giving people the feeling of cloud and mist enveloping, even fairyland.
The green landscape in qichang is very rare and its collection value is inestimable.
Wei qihou (1920 -- December 9, 2009), male, born in jinan, shandong province in 1920, calligrapher. As a leading figure of shandong calligraphy art, Mr. Wei qi-hou has exerted an important influence on the development of contemporary calligraphy in shandong. His artistic achievements have won wide social recognition and a good international reputation.
He used to be the director of the Chinese book association, member of the creation evaluation committee of the Chinese book association, vice chairman of the shandong book association, director of the shandong branch of the China association for international friendship and liaison, member of the standing committee of the jinan CPPCC, consultant of jinan painting academy, and vice President of jinan poetry association. He was the honorary President of the provincial calligraphy association and the consultant of shandong painting academy.
The collection is introduced
Chinese name: wei qihou calligraphy
English name: Wei qihou calligraphy
Specification: two
Category: calligraphy and painting
Photo: collectible
Bamboo double phoenix tail planted pine old dragon scales
If you plant bamboo, it grows like a phoenix's tail. Plant a pine tree, which is known for its dragon - scaly bark. The appearance of phoenix tail and dragon scale, probably refers to the bamboo and pine tree planted better when the form of youdao.
What it really means: to do everything well.
Mr. Wei qihou has been immersed in the art of calligraphy and painting for seventy years and has made great achievements. His calligraphy, on the one hand, adopted the classical artistic language of jin, tang, song and yuan dynasties, and possessed profound traditional skills. On the other hand, he also used the unearthed two han dynasty slips from the 20th century, full of a strong sense of innovation. His works of cursive writing and chapter cursive writing broke through the barriers of previous calligraphers in various aspects, such as brushwork, word writing, chapter writing and ink writing, and formed his own strong personal style. He created a new style by combining the traditional Chinese calligraphy with the traditional Chinese calligraphy, which is an important contribution of contemporary calligraphy to the historical development of calligraphy.
Wei qihou teacher's calligraphy and painting a prime, a mention, like a single knife inserted, the stroke is very strong, imposing, its hanging needle vertical as a cliff.
Signature is used in the old cinnabar, non - modern chemical raw materials, the type of neat, identified by experts as the real teacher wei no doubt.
