鄒一桂(1686年-1772年)清代官員，畫家。字原褒，號小山，晚號二知老人，江蘇無錫人。雍正五年二甲第一名進士，授翰林院編修。歷官雲南道監察御史、貴州學政、太常寺少卿、大理寺卿、禮部侍郎，官至內閣學士。擅畫花卉，學惲壽平畫法，風格清秀。曾作《百花捲》，每種賦詩，一經進呈，皇上亦賜題絕句百篇，一桂複寫一卷，恭錄御製於每種之前，而書己作於後，藏於家。著有《小山畫譜》、《大雅續稿》。
As (1686-1772) Qing Dynasty official, painter. The original praise, the number of small mountains, the late second known to the elderly, Jiangsu Wuxi people. Yongzheng Five year second a first Jinshi, awarded the Hanlin Hospital editing. The official history of Yunnan Road Supervision, Guizhou Science and government, rites Temple, Dali Temple Qing, Yu-hander, official to the cabinet Bachelor. Good painting flowers, learn Yun shouping painting method, Style beautiful. Once made "Hundred flowers roll", each kind of poetry, once the Ging, the emperor also gave the question absolute sentences dissertations, a GUI rewrite a volume, to record the royal system before each, and the book has been made behind, hidden in the home. There are "Hill painting Spectrum", "Daya sequel."
鄒一桂能詩善畫，尤擅工筆花卉，間作山水。 山水效法宋人，花卉學惲南田，清潤秀逸，別具一格。鄒一桂是惲壽平(當時"清六家"之一)之婿，得其真傳。曾精心繪製百種花卉，每花題一詩，集成《百花捲》進呈乾隆帝，深受贊裳，乾隆帝併為《百花捲》題了百首絕句。在繪畫理論上，他認為要畫出好的作品，畫家首先必須對繪畫的對象有深入的瞭解。他親自培植了百餘種花卉，好細觀察它們的神態特徵，獲得真切的感性認識，因而使筆下花卉形神俱備。他的詩、畫作品有《小山詩鈔》、《大雅堂續稿》、《百花詩卷》、《小山畫譜》、《春華秋實圖》、《五君子圖》、《秋出蕭寺圖》、《芙蓉蓉圖》、《薔薇朱藤圖》、《紅桃白梨圖》|、《太古云崗圖》《玉堂富貴圖》等傳世。
Zou Yigui is good at poetry and painting, especially fine brushwork flowers and intercropping landscapes. The mountains and waters follow the example of the Song people, and flowers follow Yun Nantian's example. They are clean and elegant, and have a unique style. Zou Yigui was the son-in-law of Yun Shouping ( one of the " six Qing families" at that time ) and got his true biography. He has carefully drawn a hundred kinds of flowers, one poem for each flower, integrated " Baihua Volume" and presented it to Emperor Ganlong, who was praised by Emperor Ganlong and wrote a hundred quatrains for " Baihua Volume". In the theory of painting, he believes that in order to draw a good work, the painter must first have a deep understanding of the object of painting. He personally cultivated more than 100 kinds of flowers, carefully observing their expression characteristics and gaining a real perceptual knowledge, thus making the flowers in his works look like gods. His poems and paintings include " Xiao Shan Shi Chao", " Daya Gallery Continued Draft", " Bai Hua Shi Juan", " Xiao Shan Hua Pu", " Chun Hua Qiu Shi Tu", " Wu Jun Zi Tu", " Xiao Si Tu in Autumn", " Fu Rong Tu", " Rose Zhu Teng Tu", " Red Peach White Pear Tu |," Swire Cloud Gang Tu " and" Yu Tang Fu Guitu " handed down from ancient times.
目前就有這樣一幅鄒一桂的《蟠桃雙鶴圖》展現在國內知名藝術網站上—世紀收藏網。《蟠桃雙鶴圖》畫長105.2㎝；寬47.9㎝，畫面上兩隻丹頂鶴立於青石之上，姿態悠然自得，其生動形象；青石之上祥花瑞草長生，石隙間一株桃樹屈曲蟠覆，碩果累累；陡石之下，朱泉永瀏。畫幅左上方有鄒一桂題詩一首和“臣鄒一桂恭畫”落款，並鈐白篆印章二方，朱篆印章三方，中上方鈐有“乾隆御覽之寶”朱篆印璽一方。
At present, there is such a picture of Zou Yigui's " Flat Peach and Double Crane" displayed on the famous domestic art website, Century Collection. " Flat Peach and Double Crane" is 105.2 ㎝ long. It is 47.9 ㎝ wide, with two red-crowned cranes standing on bluestone with a carefree posture and vivid image. On bluestone, the auspicious flowers and plants live forever, and a peach tree between the stone gaps flexes and folds with fruitful results. Under the steep stone, Zhu Quanyong was clear. At the top left of the painting is a poem by Zou Yigui and a inscription on " Minister Zou Yigui Gong Hua" with two seals of white seal, three seals of Zhu seal and one seal of seal of Zhu seal of " Treasure of Ganlong Royal View" at the top middle.
此畫構圖非常簡潔疏朗，筆法練達，設色豔麗而自然，暈染細緻，富有真實感，構成一幅如他題詩中所說“瑤圃仙峰，拔地奇陡，上薄雲霄，下絕塵垢”的人間仙境。此畫作於乾隆十六年（1751年），是年他65歲，正值其繪畫生涯的嫻熟高超時期，當時作者根據麻姑獻壽的傳說，構思了這幅瑤圃、蟠桃、仙鶴集一體的圖，以此來祝福皇帝長生不老。
The composition of this painting is very concise and clear, its brushwork is sophisticated, its colors are bright and natural, its colors are faint and delicate, and it is full of realism. It constitutes a fairyland as he said in his poem, " Yao Pu Xianfeng, pulling out the ground is steep, rising to the sky, and falling off dust and dirt". The painting was painted in the 16th year of Ganlong ( 1751 ), when he was 65 years old and was in a period of great skill in his painting career. At that time, according to the legend of mago's birthday present, the author conceived the painting of Yao Pu, Flat Peach and Crane as a whole to bless the emperor with immortality.
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