邹一桂(1686年-1772年)清代官员，画家。字原褒，号小山，晚号二知老人，江苏无锡人。雍正五年二甲第一名进士，授翰林院编修。历官云南道监察御史、贵州学政、太常寺少卿、大理寺卿、礼部侍郎，官至内阁学士。擅画花卉，学恽寿平画法，风格清秀。曾作《百花卷》，每种赋诗，一经进呈，皇上亦赐题绝句百篇，一桂复写一卷，恭录御制于每种之前，而书己作于后，藏于家。著有《小山画谱》、《大雅续稿》。
As (1686-1772) Qing Dynasty official, painter. The original praise, the number of small mountains, the late second known to the elderly, Jiangsu Wuxi people. Yongzheng Five year second a first Jinshi, awarded the Hanlin Hospital editing. The official history of Yunnan Road Supervision, Guizhou Science and government, rites Temple, Dali Temple Qing, Yu-hander, official to the cabinet Bachelor. Good painting flowers, learn Yun shouping painting method, Style beautiful. Once made "Hundred flowers roll", each kind of poetry, once the Ging, the emperor also gave the question absolute sentences dissertations, a GUI rewrite a volume, to record the royal system before each, and the book has been made behind, hidden in the home. There are "Hill painting Spectrum", "Daya sequel."
邹一桂能诗善画，尤擅工笔花卉，间作山水。 山水效法宋人，花卉学恽南田，清润秀逸，别具一格。邹一桂是恽寿平(当时"清六家"之一)之婿，得其真传。曾精心绘制百种花卉，每花题一诗，集成《百花卷》进呈乾隆帝，深受赞裳，乾隆帝并为《百花卷》题了百首绝句。在绘画理论上，他认为要画出好的作品，画家首先必须对绘画的对象有深入的了解。他亲自培植了百余种花卉，好细观察它们的神态特征，获得真切的感性认识，因而使笔下花卉形神俱备。他的诗、画作品有《小山诗钞》、《大雅堂续稿》、《百花诗卷》、《小山画谱》、《春华秋实图》、《五君子图》、《秋出萧寺图》、《芙蓉蓉图》、《蔷薇朱藤图》、《红桃白梨图》|、《太古云岗图》《玉堂富贵图》等传世。
Zou Yigui is good at poetry and painting, especially fine brushwork flowers and intercropping landscapes. The mountains and waters follow the example of the Song people, and flowers follow Yun Nantian's example. They are clean and elegant, and have a unique style. Zou Yigui was the son-in-law of Yun Shouping ( one of the " six Qing families" at that time ) and got his true biography. He has carefully drawn a hundred kinds of flowers, one poem for each flower, integrated " Baihua Volume" and presented it to Emperor Ganlong, who was praised by Emperor Ganlong and wrote a hundred quatrains for " Baihua Volume". In the theory of painting, he believes that in order to draw a good work, the painter must first have a deep understanding of the object of painting. He personally cultivated more than 100 kinds of flowers, carefully observing their expression characteristics and gaining a real perceptual knowledge, thus making the flowers in his works look like gods. His poems and paintings include " Xiao Shan Shi Chao", " Daya Gallery Continued Draft", " Bai Hua Shi Juan", " Xiao Shan Hua Pu", " Chun Hua Qiu Shi Tu", " Wu Jun Zi Tu", " Xiao Si Tu in Autumn", " Fu Rong Tu", " Rose Zhu Teng Tu", " Red Peach White Pear Tu |," Swire Cloud Gang Tu " and" Yu Tang Fu Guitu " handed down from ancient times.
目前就有这样一幅邹一桂的《蟠桃双鹤图》展现在国内知名艺术网站上—世纪收藏网。《蟠桃双鹤图》画长105.2㎝；宽47.9㎝，画面上两只丹顶鹤立于青石之上，姿态悠然自得，其生动形象；青石之上祥花瑞草长生，石隙间一株桃树屈曲蟠覆，硕果累累；陡石之下，朱泉永浏。画幅左上方有邹一桂题诗一首和“臣邹一桂恭画”落款，并钤白篆印章二方，朱篆印章三方，中上方钤有“乾隆御览之宝”朱篆印玺一方。
At present, there is such a picture of Zou Yigui's " Flat Peach and Double Crane" displayed on the famous domestic art website, Century Collection. " Flat Peach and Double Crane" is 105.2 ㎝ long. It is 47.9 ㎝ wide, with two red-crowned cranes standing on bluestone with a carefree posture and vivid image. On bluestone, the auspicious flowers and plants live forever, and a peach tree between the stone gaps flexes and folds with fruitful results. Under the steep stone, Zhu Quanyong was clear. At the top left of the painting is a poem by Zou Yigui and a inscription on " Minister Zou Yigui Gong Hua" with two seals of white seal, three seals of Zhu seal and one seal of seal of Zhu seal of " Treasure of Ganlong Royal View" at the top middle.
此画构图非常简洁疏朗，笔法练达，设色艳丽而自然，晕染细致，富有真实感，构成一幅如他题诗中所说“瑶圃仙峰，拔地奇陡，上薄云霄，下绝尘垢”的人间仙境。此画作于乾隆十六年（1751年），是年他65岁，正值其绘画生涯的娴熟高超时期，当时作者根据麻姑献寿的传说，构思了这幅瑶圃、蟠桃、仙鹤集一体的图，以此来祝福皇帝长生不老。
The composition of this painting is very concise and clear, its brushwork is sophisticated, its colors are bright and natural, its colors are faint and delicate, and it is full of realism. It constitutes a fairyland as he said in his poem, " Yao Pu Xianfeng, pulling out the ground is steep, rising to the sky, and falling off dust and dirt". The painting was painted in the 16th year of Ganlong ( 1751 ), when he was 65 years old and was in a period of great skill in his painting career. At that time, according to the legend of mago's birthday present, the author conceived the painting of Yao Pu, Flat Peach and Crane as a whole to bless the emperor with immortality.
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