橡樹瀾灣 THE BEST OF YOUTH I

尋找一抹安靜的時光，滌洗微塵，是遠離都市喧囂的靜謐。

A sense of tranquility and a pure land forsoul, it is an escape of hustles and bustles from urban life.

一個園子可以很重，掇山理水，無處不驚奇。同時一個園子也可以很輕，與光影互訴，與清泉共舞，這些狀態構成了對不同園子的認知與欣賞，也還原了設計者內心的一種狀態。不爭，傾聽，接受無常，也便有了橡樹瀾灣的清雅之園。

A garden can be verymasculine with marvels hiding in mountains and water. However, a garden canalso be very feminine with changings between lights and shadows, softness andsweetness hiding in crystal-clear fountains. These characteristics are not onlythe cognitions and appreciations of the space, but also the realizations ofdesigners’ inner states, which contribute the harmony, and elegance of thespace of the “THE BEST OF YOUTH”.

場景PERSPECTIVE

初識項目，幾經現場，用地在京城西四環外，在如此緊俏的土地市場，場地周界伴隨著大量複雜的條件與環境，所以剋制是在項目過程中逐漸產生一些念想，由於原址用地性質與周界城市界面構成相對複雜的關係，在整體的界面的設計上便跟保留的村莊圍牆，市政樹木，低壓電線，交通信號燈杆構成了一種共生共存的景象，幾經轉折的入園方式是項目過程中湧生的執念，既然外部的多樣屬性伴隨著不可調和，倒不如思考如何向內引入，引入之後便要創造一個巨大的反差，這種反差空間也構成了設計的價值與期待。

The project, located outsideof west 4^th ring road in Beijing- the place where are usually perceivedas complex field conditions and chaos environment, is totally the opposite ofour expectation. The thought of restraint is produced gradually in the processof the project. Due to the complex relations between the land use of the siteand perimeter city interface, the boundary of the site needs to contribute asymbiosis with the existing retain walls, municipal trees, low voltage powerlines and traffic lights.

The idea of entrance withseveral turnings is emerged in the process of the project. Rather thancompromising the irreconcilable relationship with the various externalenvironments, we focused on how to invite people into the space and create ahuge contrast after the introduction. The sense of conflict also constitutesthe value and expectation of the work.

場景PERSPECTIVE

輕，是感受現場後內心本能的一種需求，入門後的雨絲狀線雕與右轉後的方石山便暗示了進入者遠觀需有的一種狀態，伴隨著步入會感受到湧泉在半山的友好與悅動，一抹青綠請入園中，這種物理介質的暗示，是序幕也是引語，但是如何不大的院子引入光線，塑造明暗光影和輕盈的空間姿態便成為接下來的設計方向，也便有了大概的基底與樣貌。

Softness is an innerinstinct developed from the spirit of the site. When entering, the hill stoneafter the filamentous line carves creates a sense of distance. Afterwards thespring fountains jump on the hill stone, which indicating a sense of endearingfriendliness. Accompanied with a glimmer of green, these series of spatialchanges make the entrance a prologue of the garden. After the general tone hasbeen set, our design direction changed to inviting light into the small yardand shaping shadow to create the softness of the space.

細節DETAIL

細節DETAIL

我們希望一個院子是多樣的，不要輕易被定義，閒適與放鬆的狀態以及暗示性的細節手法將忙亂與嘈雜安於身後是滿眼的綠意，入園之人可以踏水，聽泉，隨意踱步，安之一隅，無所謂去往哪裡可能即是生活。

We want to make the spacefull of diversity and not easily defined. It is a leisurely and relaxed placehiding in a green island with no rush and muddle. People who enter the placecan step on the water, listen to the spring, walk or settle down in a cornerfreely. No matter where they go, it is life just could be.

——OVER——