陳鳴遠制壺技藝精湛全面，又勇於開拓創新。他仿製的爵、觚、鼎等古彝器，工藝精，品位高，古趣盎然。所制茗壺造型多種多樣，特別善於自然型類砂壺的製作，作品有瓜形壺、蓮子壺、束柴三友壺、松段壺、梅乾壺、蠶桑壺等均極具自然生趣，把自然型壺在明人的基礎上，進一步推向藝術化的高度。這些壺式不僅是他的傑出創造，而且成為砂壺工藝上的歷史性造型，為後來的制壺家們廣泛沿用。Chen Mingyuan's pot making skills are exquisite and comprehensive, and he has the courage to develop and innovate. His imitated ancient Yi wares, such as Jue, Gu and Ding, are exquisite in craftsmanship, high in taste and full of ancient interest. The tea pot has various shapes, especially good at making natural sand pot. The works include melon shaped pot, lotus seed pot, shuchaisanyou pot, SongDuan pot, Meigan pot, sericulture pot, etc. all of which are of great natural interest. On the basis of Ming people, the natural pot is further promoted to the artistic level. These pot styles are not only his outstanding creation, but also the historical modeling of the sand pot technology, which are widely used by later pot makers.
他還開創了壺體鐫刻詩銘作裝飾，署款以刻名和印章並用，把中國傳統繪畫書法的裝飾藝術和書款方式，引入了砂壺的製作工藝，使原來光素無華的壺體增添了許多雋永的裝飾情趣，也使砂壺更具有了濃厚的書卷氣，再加之詩銘、書款的書法雅健娟秀，富有晉唐筆意，從而把壺藝、品茗和文人的風雅情致融為一體，極大的提高了砂壺的藝術價值和文化價值，成為真正的藝術品進入了藝術殿堂，這是陳鳴遠在壺藝發展史上建立的卓越功勳。He also created the pot body to be engraved with poems and inscriptions for decoration, and signed the money to be engraved with names and seals. He introduced the decorative art and book style of traditional Chinese painting and calligraphy into the production process of the sand pot, adding a lot of meaningful decorative interest to the original light and plain pot body, and making the sand pot more bookish. In addition, the calligraphy of poems and calligraphy is elegant, healthy and beautiful, rich in Jin and Tang Dynasty brush. In order to integrate the pot art, tea tasting and the elegance of literati, it greatly improves the artistic value and cultural value of the sand pot, and becomes a real art into the art palace, which is Chen Mingyuan's outstanding merit in the history of pot art development
此壺材質為褐色泥，砂質隱現，造型寓圓於方，敦實厚重。彎曲流，環形把手，製作精細，質樸大方，結構合理，用功獨到。蓋面鼓出，子口密縫緊湊，蓋頂與壺身形制相若。壺腹刻銘此壺。此壺的餅形底足，在陳鳴遠款紫砂壺上少見，已形成一種特徵，亦可作為賞鑑鳴遠壺的依據。This pot is made of purplish brown mud, with sand hidden. Its shape is round and thick. Curved flow, circular handle, fine production, simple and generous, reasonable structure, unique hard work. The cover is bulging, the seam is compact, and the cover top is similar to the shape of the pot body. The pot is inscribed on the ampulla. The cake shaped bottom foot of this pot is rare in Chen Mingyuan's purple clay pot. It has formed a feature and can also be used as a basis for appreciating Ming Yuan pot. 在壺的造型方面，他對各式壺都很擅長，尤其善制自然型壺；風格上承明精華，下開清代格局，是一位塑鏤兼長、技藝超群的壺藝家。不僅如此，他還開創了壺體鐫刻詩鳴作裝飾、助人茶興、益人性情的詩句，短小簡潔的銘刻常給人以智慧的啟迪。此外，署款以刻銘和印章並用，把中國傳統的繪畫和書法裝飾藝術形式，引入了紫砂壺的製作工藝，使原來光素無華的壺體增加了許多雋永的裝飾情趣，從而把壺藝、品茗和文人的風雅情致融為一體，極大地提高了紫砂茗壺的藝術價值和文化價值，在壺藝發展史上建立了不朽的功勳。“且飲且讀，不過滿腹”不愧是一則切茶、切壺並蘊含飲茶情趣和文人治學態度的佳銘。
此壺現藏北京國枰拍賣有限公司。
In terms of the shape of the pot, he is very good at all kinds of kettles, especially in making natural kettle. The style is clear and the essence is clear. Not only that, he also created poems on the pot body, which are chanting for decoration, helping people to enjoy tea and benefiting people's temperament. Short and simple inscriptions often inspire people with wisdom. In addition, by using inscriptions and seals together, the Department introduced the traditional Chinese painting and calligraphy decorative art forms into the production process of the teapot, adding a lot of meaningful decorative interest to the original light and plain teapot, so as to integrate the teapot art, tea tasting and the elegance of scholars, greatly improving the artistic and cultural value of the teapot. In the history of the development of the teapot Art Built immortal merit. "To drink and to read, but to fill one's stomach" is a good motto for tea cutting and pot cutting, which contains the taste of tea drinking and the scholar's academic attitude.
This pot is now stored in Beijing Guoliang Auction Co., Ltd.
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