陈鸣远制壶技艺精湛全面，又勇于开拓创新。他仿制的爵、觚、鼎等古彝器，工艺精，品位高，古趣盎然。所制茗壶造型多种多样，特别善于自然型类砂壶的制作，作品有瓜形壶、莲子壶、束柴三友壶、松段壶、梅干壶、蚕桑壶等均极具自然生趣，把自然型壶在明人的基础上，进一步推向艺术化的高度。这些壶式不仅是他的杰出创造，而且成为砂壶工艺上的历史性造型，为后来的制壶家们广泛沿用。Chen Mingyuan's pot making skills are exquisite and comprehensive, and he has the courage to develop and innovate. His imitated ancient Yi wares, such as Jue, Gu and Ding, are exquisite in craftsmanship, high in taste and full of ancient interest. The tea pot has various shapes, especially good at making natural sand pot. The works include melon shaped pot, lotus seed pot, shuchaisanyou pot, SongDuan pot, Meigan pot, sericulture pot, etc. all of which are of great natural interest. On the basis of Ming people, the natural pot is further promoted to the artistic level. These pot styles are not only his outstanding creation, but also the historical modeling of the sand pot technology, which are widely used by later pot makers.
他还开创了壶体镌刻诗铭作装饰，署款以刻名和印章并用，把中国传统绘画书法的装饰艺术和书款方式，引入了砂壶的制作工艺，使原来光素无华的壶体增添了许多隽永的装饰情趣，也使砂壶更具有了浓厚的书卷气，再加之诗铭、书款的书法雅健娟秀，富有晋唐笔意，从而把壶艺、品茗和文人的风雅情致融为一体，极大的提高了砂壶的艺术价值和文化价值，成为真正的艺术品进入了艺术殿堂，这是陈鸣远在壶艺发展史上建立的卓越功勋。He also created the pot body to be engraved with poems and inscriptions for decoration, and signed the money to be engraved with names and seals. He introduced the decorative art and book style of traditional Chinese painting and calligraphy into the production process of the sand pot, adding a lot of meaningful decorative interest to the original light and plain pot body, and making the sand pot more bookish. In addition, the calligraphy of poems and calligraphy is elegant, healthy and beautiful, rich in Jin and Tang Dynasty brush. In order to integrate the pot art, tea tasting and the elegance of literati, it greatly improves the artistic value and cultural value of the sand pot, and becomes a real art into the art palace, which is Chen Mingyuan's outstanding merit in the history of pot art development
此壶材质为褐色泥，砂质隐现，造型寓圆于方，敦实厚重。弯曲流，环形把手，制作精细，质朴大方，结构合理，用功独到。盖面鼓出，子口密缝紧凑，盖顶与壶身形制相若。壶腹刻铭此壶。此壶的饼形底足，在陈鸣远款紫砂壶上少见，已形成一种特征，亦可作为赏鉴鸣远壶的依据。This pot is made of purplish brown mud, with sand hidden. Its shape is round and thick. Curved flow, circular handle, fine production, simple and generous, reasonable structure, unique hard work. The cover is bulging, the seam is compact, and the cover top is similar to the shape of the pot body. The pot is inscribed on the ampulla. The cake shaped bottom foot of this pot is rare in Chen Mingyuan's purple clay pot. It has formed a feature and can also be used as a basis for appreciating Ming Yuan pot. 在壶的造型方面，他对各式壶都很擅长，尤其善制自然型壶；风格上承明精华，下开清代格局，是一位塑镂兼长、技艺超群的壶艺家。不仅如此，他还开创了壶体镌刻诗鸣作装饰、助人茶兴、益人性情的诗句，短小简洁的铭刻常给人以智慧的启迪。此外，署款以刻铭和印章并用，把中国传统的绘画和书法装饰艺术形式，引入了紫砂壶的制作工艺，使原来光素无华的壶体增加了许多隽永的装饰情趣，从而把壶艺、品茗和文人的风雅情致融为一体，极大地提高了紫砂茗壶的艺术价值和文化价值，在壶艺发展史上建立了不朽的功勋。“且饮且读，不过满腹”不愧是一则切茶、切壶并蕴含饮茶情趣和文人治学态度的佳铭。
此壶现藏北京国枰拍卖有限公司。
In terms of the shape of the pot, he is very good at all kinds of kettles, especially in making natural kettle. The style is clear and the essence is clear. Not only that, he also created poems on the pot body, which are chanting for decoration, helping people to enjoy tea and benefiting people's temperament. Short and simple inscriptions often inspire people with wisdom. In addition, by using inscriptions and seals together, the Department introduced the traditional Chinese painting and calligraphy decorative art forms into the production process of the teapot, adding a lot of meaningful decorative interest to the original light and plain teapot, so as to integrate the teapot art, tea tasting and the elegance of scholars, greatly improving the artistic and cultural value of the teapot. In the history of the development of the teapot Art Built immortal merit. "To drink and to read, but to fill one's stomach" is a good motto for tea cutting and pot cutting, which contains the taste of tea drinking and the scholar's academic attitude.
This pot is now stored in Beijing Guoliang Auction Co., Ltd.
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