來到這裡之後，參觀者首先會看到項目的一大核心設計，場地中央的綠色樹木。在項目之初，Naiipa藝術綜合體的項目目標就是希望建築與樹木和諧相處，為當地居民和參觀者帶來寧靜平和的社區氛圍。
Upon arrival, visitors are greeted with the project’s main feature and driving force in design, a groups of large, pre-existing trees in its center. From the very beginning, the goal of Naiipa has been to create architecture that seamlessly co-exist with the trees, providing a peaceful and inspiring art community for both its occupants and visitors.
該項目有2000平方米的辦公和零售空間，因此建築師將建築分成兩個主要部分，並且為樹木庭院留出充足的區域。A座共2層，水平向排布，陽光能夠照射到庭院的樹冠之上，從而促進樹木的生長，同時讓庭院看上去更加愜意。而B座的形態則為豎直向上，與A座形成鮮明的對比，兩個主要體量通過一系列露臺連接起來，這些露臺在現有樹木之間相互環繞，保持著樹木在場地內的位置不移動。
In order to fulfill the 2,000-square-meter office and retail programmatic requirement of the project, the main functions are divided into two to main masses which bounded the site, leaving the main tree courtyard as a free open space. Building A was designed to be an elongated 2-story horizontal building, allowing sunlight to reach the existing Pink Trumpet Tree, preserving its growth while creating an atmospheric courtyard for the building’s occupant. To contrast the horizontal form of Building A, Building B is a vertically orientated 4-story building. The two main masses are then connected together by multi-level sculptural terraces that intertwine itself between the existing trees, leaving all the trees untouched.
該項目的設計對現有樹木進行了嚴密的思考。為了保持建築的功能完整，兩個主要建築體量都運用了混凝土結構。同時，建築師在開放式中心區域運用了鋼結構，這樣的目的是為了讓建築更加貼近綠色植物，因為過多地使用水泥砂漿會對現有的樹木造成一定的損壞，因此在中心區域運用了鋼結構，來減少建築對植物的影響。另外，鋼結構也具有一定的靈活性，可以更好地讓建築環繞樹木而排布。
The structural design for the project was also executed in respect and consideration to the existing trees. The two main buildings are constructed with typical concrete structure in order to maintain the structural integrity of the function areas. Meanwhile, in the central open space area where the trees mostly congregate, steel structures were introduced. The shift in structural system is due to the building’s close proximity to the greenery, where the use of mortar could damage the existing trees, thus by using steel structure, the risk of contamination is reduced. In addition, steel structure provides more flexibility in navigating the construction around the expanding tree branches.
在項目中，建築師運用了3種不同的玻璃，即反光玻璃、半透明玻璃，和全透明玻璃，並且這些玻璃形態疊加運用，建築與周圍環境聯繫在一起，讓建築看上去最終消失於自然之中。面向街道的東立面是一個半透明的雙層立面，這樣能夠削弱進入建築的光線。另外，建築入口部分的半透明立面延伸向森林，其表面較為光滑，同時相互疊加，圖案模仿樹枝在陽光下的陰影，因此建築的內表面和“Bird Nest”展館彷彿與森林融為一體，這種樹木環繞的感覺成就了Naiipa藝術綜合體的完整意向。
Three different types of glazing: reflective, translucent, and transparent, along with the rhythmic folding pattern of the façade, are utilized to link the architecture to the surrounding urban context conditions, as it gradually transforms the architecture and finally vanishes into nature. The east façade, which faces the street, is a translucent double façade, helping to filter and reduce heat flowing into the building. Furthermore, as the translucent façade moves towards the entrance, its smooth surface begins to fold, alluding to the forest within, as the pattern mimics the dancing shadows casted by sunlight as it filters through the tree canopies. Once inside, the inner architectural façade and the floating “Bird Nest” Gallery cladded in reflective glass seems to dissolve and disappear amongst the trees. It is this effect of being completely surrounded by trees that which evokes the feeling of truly being Naiipa.
建築設計：Stu/D/O Architects
地點：泰國，曼谷
團隊成員：Apichart Srirojanapinyo, Chanasit Cholasuek, Adrian Smiths, Chompunuch Vanichayanguranon, Pitchaya Kointarangkul
面積：2400.0 m2
項目時間：2016年
攝影：Pirak Anurakyawachon
製造商：Kone, SK Kaken, COTTO
景觀設計：Field Landscape Studio
燈光設計：Siriluck Chinsaengchai
特徵設計：KK Rakitawan
結構工程：B.N.G. Engineering
機械工程：MEE Consultants
顧問：Chanin Limapornvanich
承包商：Sittanant
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