这座浮岛，让你全身心放松在运河的景观之中教育頭條網

2018-08-18 23:52:03 專築網

在2018年布鲁日三年展中，OBBA希望在这片美丽的风景之中做出一些小改变。于是，“浮岛”项目便应运而生，漂浮在水面上的流线型空间，模糊了运河的边界，同时引导着人们来到水边。人们在这里可以步行、休憩、交流，享受水面生活，建筑师的设计更多的是建立城市空间的三维联系，并非只是单纯地展示景观。

In TRIENNALE BRUGGE 2018, OBBA intends to make a small change in these beautiful landscapes. By installing “The Floating Island”, a pavilion in long streamlined shape floating on the water, OBBA tries to blur the rigid boundary of the canal and guide people to the waterside. In this way, by planning the canal as a place where visitors can walk, rest, reflect, and enjoy on the water, not just as a borrowed scenery, OBBA attempts to connect their relationships more in three dimensions.

水上平台由漂浮板、金属框架、支柱和栏杆组成，一条条细绳如同窗帘般环绕，细绳帘幕及其阳光下的投影模糊了空间边界，同时让整个场所既开放又封闭。另外，帘幕和阴影也表达了来自自然的风元素，通过游客的视野将熟悉的风景不断地呈现出来。

The pavilion consists of pontoons on the water, metal frames, deck plates, metal pillars, upper metal rails connecting the pillars, and rope curtains embracing the rails. The rope curtains and their shadows create ambiguous spaces that seem to be opened and closed at the same time. In addition, the curtains and shadows reacting to the lights and winds blur the boundary, repeatedly open and close visitors’ sights, and make familiar landscapes fresh again.

人们在不同形态的空间中静静休息，游客可以斜靠在扶手上享受蓝天和白云，邻水而坐，舒缓身心的压力，欣赏流淌而过的河水，在这个流线型的空间中放空自己，给忙碌的生活带来一丝的轻盈与宁静。

There are various spaces with different shapes and forms in the middle of the linear trail where people can rest quietly. Visitors can enjoy sunbathing leaning to the tilted ropes or rest on the wide rope hammocks looking at the clouds in the sky. In addition, they can sit on the edge and relieve their stress appreciating the quietly flowing water, read books or reflect on themselves sitting in the circular space alone, or sometimes have a great time playing on the swings.

“浮岛”为人们带来艺术与感知的临界点，同时，它也模糊了日常生活的边界，为布鲁日的日常生活带来一个跳跃的音符。运河滋润着人们，“浮岛”则给人们带来了与城市的全新的且瞬息万变的联系。

In this way, “The Floating Island” gives the time of joy and reflection to the citizens and extends the boundary of their acts and perceptions. Further, it blurs the boundary between life (daily life) and art, making a calm change in the familiar landscapes of Brugge. The canal returns to the breasts of the citizens, forms new relationships with them, and flows constantly.