塗鴉·城市刺青藝術店,廣州

漢字塗鴉一詞起源於唐代。現代街頭塗鴉起源於1960年代的費城和賓夕法尼亞州的塗鴉。隨著城市美化的進程,大多數創作逐漸消失了。面對瞬息萬變的社會,在多元化時代,現代城市可能需要談論一堵牆,作為一個城市的紋身,以及時間變化的道路標誌。城市塗鴉不僅真實地反映了當地年輕人的藝術激情和創造力,而且代表了城市的真實特徵。酸味工作室是廣東省第一家塗鴉藝術商店。運營商希望為塗鴉交流,繪畫用品零售,塗鴉文化推廣和塗鴉藝術家聚會創造一個場所。

The word “graffiti” in Chinese characters originated in the Tang Dynasty, while the modern street graffiti originated in Philadelphia and Pennsylvania in America in the 1960s. With the process of urban beautification, most of the graffiti works gradually disappeared. In the face of a changing society in a diversified era, modern cities may need a wall that can talk, as a tattoo of the city and a sign of the changes of time. Urban graffiti not only truly reflects the artistic passion and creativity of local young people, but also represents the true character of the city. SOUR STUDIO is the first graffiti art store in Guangdong Province. The operator wants to create a place for graffiti exchange, painting supplies retail, graffiti culture promotion, and small get-together with graffiti artists.

▼商店外觀,設有大塊面的落地玻璃,檸檬黃直線勾畫出建築的輪廓,exterior view of the studio with the large pieces of floor-to-ceiling glasses, the outline of the building is lined out by lemon yellow straight line

塗鴉·城市刺青藝術店,廣州/幾何

塗鴉·城市刺青藝術店,廣州/幾何

從遠處看,金屬質感的外表皮,檸檬黃色的直線勾勒出建築物的輪廓,大塊的磨砂玻璃像幾何的變化盒。走進我們的工作室時,乾冷金屬與粗糙原始水泥質地之間的融合是一種寧靜。我希望將最大的思考空間留給商品和塗鴉藝術家之間的對話。建築物的建造採用幾何切割方法,結合啞黑金屬質感,以優化室內照明,將建築物的最大塊體與塗鴉藝術融合在一起,讓建築物本身和建築物的“下沉”“生活”對話的塗鴉藝術,留下獨特的都市紋身。

▼畫有塗鴉的商店外立面,the exterior facade of the studio with the graffiti

塗鴉·城市刺青藝術店,廣州/幾何

▼商店外立面上的塗鴉,the graffiti on the exterior facade of the studio

塗鴉·城市刺青藝術店,廣州/幾何

To see SOUR STUDIO from a distance, the metal texture of its outer skin, the outline of the building which is lined out by lemon yellow straight line, and the large pieces of floor-to-ceiling glasses, make it look like a box with geometrical change. When approaching it, the integration of competent cold metal and primitive rough cement texture is quiet, trying to leave the greatest thinking space for merchandise to talk to graffiti artists. The geometrization cutting technique is applied to the structure of the building, combined with the matte black metal texture, so that the indoor lighting is optimized. And the largest block of the building is integrated with the graffiti art, which makes the “lifelessness” of the building itself encounter with the “vitality” of the graffiti art, leaving a unique urban tattoo.

▼商店室內概覽,overview of the interior studio

塗鴉·城市刺青藝術店,廣州/幾何

▼商店前臺,the cashier desk of the studio

塗鴉·城市刺青藝術店,廣州/幾何

塗鴉·城市刺青藝術店,廣州/幾何

▼商店局部,partial interior view of the studio

塗鴉·城市刺青藝術店,廣州/幾何

塗鴉·城市刺青藝術店,廣州/幾何

▼商店室內空間細節,space details of the interior studio

塗鴉·城市刺青藝術店,廣州/幾何

塗鴉·城市刺青藝術店,廣州/幾何

塗鴉·城市刺青藝術店,廣州/幾何

▼招牌局部細節,details of the exterior logo of the studio

塗鴉·城市刺青藝術店,廣州/幾何

項目名稱:SOUR塗鴉藝術商店


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