爱德华·蒙克 博尔村小屋 HUS I BORRE 伦敦苏富比2014.6 成交价108.25万英镑
作品介绍（中英文）
Painted circa 1904-1905, Hus i Borre presents a view of the coastal landscape around Borre, which occupied an important place in Munch’s art. The municipality of Borre lay along the coast from Åsgårdstrand, a resort a few miles to the south of Oslo, which Munch first visited in autumn of 1888. He took a holiday residence there in the summer of 1889, which he rented for some years until he purchased a house in 1897. In the following years, Munch travelled widely across Europe, making extended visits to Berlin, Paris and Hamburg, but often returned to Åsgårdstrand during the summer months. He painted some of his best landscapes there, characterised by his ex-pressive winding line and strong, vivid colours.
Having visited Paris in 1903 and the early months of 1904, Munch was certainly deeply impressed by the Fauve artists, whose vividly coloured canvases he would have seen there. During these extensive European travels, however, Munch regularly returned the Borre region, fascinated by the Norwegian landscape and seeking to ex-press its mood and atmosphere through colour and line. Munch's landscapes of this period had a strong influence on German Ex-pressionist painters, who had the opportunity to see his works in several exhibitions in Germany between 1905 and 1908. The brilliant, wild palette that dominated Munch's canvases had a powerful impact on the Brücke artists who were eager to move away from their urban surroundings in Berlin and other cities, and to embrace the more 'primitive' life-style and wild nature of the northern German coast. It was the daring, ex-pressive power of Munch's landscapes, pulsating with undulating lines and vivid, dramatic brush-strokes, that had such a profound effect on some of the major figures of twentieth century art including Kirchner, Schmidt-Rottluff, Pechstein and Heckel.
参考译文
《博尔村小屋》大约作于 1904年至1905年间，展示了博尔村周围的海岸景观，占据了蒙克艺术的重要地位。博尔村位于奥斯高特兰海岸沿岸，距离奥斯陆以南几英里，是蒙克于1888年秋季首次访问。他于1889年夏天在那里度假，他租了几年房子直到他在1897年购买了一所房子。在接下来的几年中，蒙克在欧洲各地旅行，长途访问柏林、巴黎和汉堡，但在夏季经常返回奥斯高特兰。他画了一些他最好的风景画，其特点是他富有表现力的曲线和强烈鲜艳的色彩。
在1903年和1904年初的几个月访问巴黎时，蒙克对野兽派艺术家印象深刻，他将在那里看到生动的彩色油画。然而，在这些广泛的欧洲旅行期间，蒙克定期返回博尔地区，对挪威风景着迷，并试图通过颜色和线条表达其情绪和氛围。蒙克的这一时期的风景对德国表现主义画家产生了强烈的影响，他们有机会在1905年至1908年间在德国的几个展览中看到他的作品。主导蒙克作品的辉煌，狂野的调色对布鲁克产生了强大的影响。艺术家们渴望远离柏林和其他城市的城市环境，并拥抱德国北部海岸更“原始”的生活方式和野性。这是蒙克风景的大胆、富有表现力的力量，波浪起伏的线条和生动，戏剧性的笔触，对二十世纪艺术的一些主要人物产生了如此深远的影响，包括基什内尔、施密特 - 罗特鲁夫、佩施斯坦和海克尔。
画家简介
爱德华·蒙克（Edvard Munch，1863-1944），挪威表现主义画家、版画复制匠，现代表现主义绘画的先驱。
作品资料
爱德华·蒙克
《博尔村小屋》HUS I BORRE (HOUSE IN BORRE)
估价 600,000 — 800,000 英镑
成交价 (含买家佣金) 1,082,500 英镑
款识：画家签名 E. Munch（右下）
油彩画布
65.7 x 80.6 公分
25 7/8 x 31 3/4 英寸
1904 - 1905年作
印象派及现代艺术晚拍 北欧私人收藏
本文图片及英文资料均来自苏富比，局部细节图片及中文资料系阴山工作室所加。
閱讀更多 聞是書畫 的文章
