願景Vision
福克斯曼音樂大廈匯聚了可容納各種音樂形式的場地，它以協作性和探索性為內在特性，為音樂愛好者們營造了處處皆舞臺的音樂教育空間。通過與鄰里環境的互通性設計，該建築得以建立與周邊社區的資源共享。建築實現了自身與愛荷華市混合社區的街道和開放空間的自由連通，其豎向的功能空間排布，為當地社區打造了獨一無二的城市鮮活體驗。
The Voxman Music Building celebrates musical performance at every turn, embracing a collaborative and exploratory student-driven model of education that treats every space as performance space. The building shares this sense of musical discovery with the community through a transparent expression. The pattern of streets and open spaces in the mixed-use district of Iowa City extends directly into the building’s multi-level interior spaces, cultivating a sense of vertical urban vitality and acknowledging its place within the community.
▼建築外貌，exterior view
場地和建造方案Site and Building Program
六層高，186,000平方英尺的建築坐立於校園建築與愛荷華市中心之間，成為學術機構與社會生活的交匯處。該建築包括一個700坐席音樂廳、一個200坐席獨奏音樂廳、一個器樂演奏廳、一個音樂書籍閱覽室、排練室、練習室、教室、以及與社區連通、豎向排布的員工辦公室。建築主入口位於市區繁華的道路交叉口，多層的通透玻璃立面，拉近了校園與城市的關係，分設建築兩個主立面的兩大音樂廳與繁忙都市隔窗相望。位於各個演奏場館之間的連通空間飽受日光的洗禮，除作為連接演奏廳和音樂廳的功能空間外，這裡還為學生們提供了豐富多樣的公共活動空間及中庭。位於四層的戶外露臺棲身於兩棟翼樓之間，絕佳的地理位置將這座城市最富歷史的建築與廣闊的村鎮景觀盡收眼底。
▼位於四層的戶外露臺，the outdoor terrace on the forth floor
The six-story, 186,000-square-foot building is situated between campus and the downtown core of Iowa City, embracing both academic and urban experiences. The program comprises a 700-seat concert hall, a 200-seat recital hall, an organ performance hall, a music library, rehearsal rooms, practice rooms, class-rooms, and faculty studios and offices linked by a series of vertically connected community spaces. A multi-story glass corner entry at a major downtown intersection reinforces the merger of campus and city, with the two major performance venues marking their presence on each of the main facades. Between the performance spaces, porous, day-lit circulation volumes interlink to form the student commons, performance and rehearsal lobby, and three-story atrium. A fourth floor exterior terrace, nestled between the wings of the rear facade, serves as gathering space that frames views to the city’s historic courthouse and countryside beyond.
▼公共連通空間，the circulation space
▼中庭提供學生活動空間，the atrium provides public spaces for students
設計Design
其中音樂廳採用“theatroacoustic”聲學系統，將聲效、光照和安全系統整合成為充滿戲劇性的裝飾效果。形態複雜的裝飾結構由946塊獨特的摺疊鋁質部件，經參數化設計，再由數字化焊接組裝而成。
The concert hall features a suspended “theatroacoustic” system, unifying acoustics, lighting, and life-safety requirements into a dramatic, multi- functional architectural expression, and the resulting intricately sculpted element is assembled out of 946 unique, folded-aluminum composite modules digitally fabricated from modules digitally designed and fabricated from the architects’ parametric model.
▼音樂廳，the concert hall
▼參數化設計的天花板，the parametric-design ceiling
獨奏廳令人驚歎的紅色隔音板，不僅營造了良好的聲學效果，通過與牆面玻璃窗的結合，與戶外環境形成戲劇化的對視效果。
In the recital hall, red-colored acoustical panels optimize the room’s acoustical properties while incorporating a wall-sized shingled-glass window that unites the performance event with the urban experience.
▼獨奏音樂廳，the recital hall
▼獨奏廳紅色隔音板，red-colored acoustical panels
如風箏般的裝飾物懸浮在三個大型排演大廳的挑高天花板上，它們的表面或平滑或穿孔，群聚於演奏者頭頂之上，打造出極具動感的空間效果，也幫助完善了室內的聲學性能。
In the three major rehearsal spaces, high ceilings are filled with swarms of brightly colored, kite-like reflectors that vary between solid and perforated to achieve dynamic acoustical and lighting effects.
▼排演大廳，rehearsal space
▼如風箏般的天花板裝飾，the kite-like reflectors
巨大的音樂廳懸挑凌駕於伯靈頓大街和學生活動空間之上，而另一側，獨奏音樂廳外的疊塊玻璃牆面則向外探出，棲身於南克林頓大街的人行道之上。建築周身由帶有微妙紋理的陶瓷板和擁有精美底紋的低鐵玻璃覆蓋。
The concert hall cantilevers over the Burlington Street sidewalk and the Student Commons below, while the recital hall, wrapped in a shingled-glass wall system, reaches out over the South Clinton Street side-walk. A composition of subtly textured terracotta panels and low-iron glass with delicate shading patterns wraps the full exterior.
▼建築周身由帶有微妙紋理的陶瓷板和擁有精美底紋的低鐵玻璃覆蓋，a composition of subtly textured terracotta panels and low-iron glass with delicate shading patterns wraps the full exterior
建築內部所有空間如演奏大廳，練習室，辦公室和公共活動空間等均通過大廳與戶外建立良好的連通性，享受充足日光，並保持優異的隔音效果。高性能數字設計滿足了表演空間的各項要求。
All spaces in the building, including performance halls, rehearsal rooms, offices, and common areas, provide natural light and connections with the outside, while maintaining acoustic isolation. Requirements of the facility’s high-profile performance spaces are met by high-performance digital design.
▼剖面圖，section
▼明亮的室內通行環境，the bright circulation space
▼音樂書籍圖書館，the music library
▼風琴演奏廳，organ performance hall
▼外觀夜景，night view
▼地下層平面，basement floor
▼地面層平面，street level
▼二層平面，level 2
▼三層平面，level 3
▼四層平面，level 4
▼五層平面，level 5
LMN Architects project team Design Architect + Interior Designer: Mark Reddington, FAIA, (Design Partner); Sam Miller, AIA (Partner in Charge); Stephen Van Dyck, AIA (Project Designer); Wendy Pautz, AIA (Programming); Scott Crawford, Assoc. AIA, Steve DelFraino, AIA, Thomas Gerard, Alexander Harner, Jessica Harner, Erick Katzenstein, Julia Khorsand, Winnie Lam, John Mrozek, Assoc. AIA, Erik Perka, Assoc. AIA, Mary Anne Smith, AIA, Andrea Stewart, Alex Woodhouse (Project Team)
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