這枚民國三年雙面合背袁大頭，無面值，是當年造幣廠的錯版幣，也有人說是戲作幣。清末和民國初期，造幣工廠的生產任務並不飽滿，生產時續時停，加上廠裡的管理制度不嚴，有些職工在停工時戲作了一些銀幣，用不同的鋼模正背二面合成另一種異品銀幣。或用同一種正面銀模合成異品銀幣，這種民國三年的袁大頭，正背二面都是頭像，就是用正面鋼模合成的。戲作品銀幣制造量稀少、製作精美又是從國家造幣廠生產出來的，並與其它錢幣同樣在社會上流通，所以，此種幣屬於真幣，在市場比較難得的一件藏品。
This coin, with no face value, was the wrong version of the coin made by the mint in the three years of the Republic of China. It was also said to be a play coin. At the end of Qing Dynasty and the beginning of Republic of China, the production task of the Mint was not full, the production stopped and stopped, and the management system in the Mint was not strict. Some workers made some silver coins when they stopped work, and synthesized another kind of different silver coins with different steel molds. Or use the same obverse silver mold to synthesize different silver coins. This kind of yuan Datou in the three years of the Republic of China, whose obverse and back are both heads, is made of steel mold. The production of silver coins in drama works is rare and exquisite, and they are produced from the national mint, and they are also circulated in the society as other coins. Therefore, this kind of coins belongs to real coins, which is a rare collection in the market.
此錢幣包漿凝重純真，熟坑漿相，包漿黝黑，漿質堅實不糟，分佈深淺不等，凸顯自然。銀色更是熟舊滋潤，老相凸顯，無異無邪。此等鑄相實乃官爐出品無疑，鑄相一眼開門。其書體，書意舒展脫俗，筆劃有力，橫直豎立，撇見刀而折見鋒，佈局協調規矩，俊朗之書相顯而易見。
This coin has a thick and pure paste, which is in the phase of mature pit pulp. The paste is dark, solid and not bad. It is distributed in different depths and highlights the nature. The silver color is ripe, old and moist, and the old look is prominent. This kind of cast phase is actually produced by the official furnace, and the cast phase opens at a glance. The style of the book is free from vulgarity, with strong strokes, standing vertically and horizontally. It is easy to see the edge without a knife. The layout is in harmony with the rules. The handsome book looks obvious.
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