此類獸首玉踞人形玉器，雙手護膝，牛首臣字眼，神態安詳肅穆，踞坐，玉人臀部著地，似蹲坐。此類型玉神人遠在紅山文化時期就已出現，見紅山太陽神人像，獸麵人形多見，這類玉人我個人認為來源神人崇拜和自然祖先崇拜的巫文化。在殷墟出土的玉器，玉人造型寫實多見 跽坐形人和站立形人。跽坐人形應是當時貴族階層的日常坐姿，臀部坐在腳跟上。跽坐人形和站立形人，還有一種是跪人形在以後的周，春秋戰國常有出現，不同的姿勢的玉人代表有不同的含義和階層，有些可能還特指某個人物。
This kind of beast head jade is perched on the human shaped jade ware, with both hands on the knee, and the words of Niu Shouchen. The jade man is sitting on his hip like a squat. This type of jade god man has appeared as far back as the Hongshan culture period. The sun god figure of Hongshan is seen, and the animal face human form is more common. I think this kind of jade man comes from the witch culture of God man worship and natural ancestor worship. In the jade artifacts unearthed in the Yin Ruins, the jade figures are mostly realistic in shape, with sitting and standing figures. The sitting figure should be the daily sitting posture of the nobility at that time, with the buttocks on the heels. In the Later Zhou Dynasty, the spring and Autumn period and the Warring States period often appeared. The jade figures in different postures had different meanings and classes, and some of them might also refer to a certain person.
高：5.5com 重：55.14g
高：9.5com 重：70.19g
玉人不同角度的整體器形和紋飾，高古玉的鑑賞可以從幾方面來判斷，首選從玉質，器形，紋飾上來鑑賞，玉人臣目圓睜，踞坐，雙手護膝，神態安詳肅穆，身上裝飾雙溝雲紋，紋飾精美。勾雲紋，是殷商和周前期玉器中非常典型和常見的紋飾。可串繩佩戴，也可擺設。玉質未受沁部分，脂白細膩熟潤，看上去就像煮的半熟的蘿蔔，壓手，觸摸油潤滑膩，手感非常舒服，為和田玉凝脂白玉。
The appreciation of Gaogu jade can be judged from several aspects. The first choice is to appreciate the jade quality, shape and ornamentation. The jade minister has wide eyes, sits on his seat, and his hands protect his knees. His manner is serene and solemn. His body is decorated with double furrow cloud patterns, and the ornamentation is exquisite. Gouyun pattern is a very typical and common pattern in the jade wares of Shang Dynasty and early Zhou Dynasty. It can be worn with string or decoration. The unadorned part of the jade is white, delicate and ripe. It looks like a half cooked radish. When you press your hand, you can feel greasy and smooth. It makes Hotan jade paste white.
高：7com 重：80.32g
高：8com 重：55.48g
由於年代久遠，玉器表面有一層厚厚的氧化皮殼，部分皮殼剝離，以致玉器表面不平整有自然的起伏和坑窪，散發柔和的光澤，摸上去手感滑潤不澀，坨工底部線條和表面皮殼包漿一致，自然混為一體。由於皮殼的部分剝離，拋光的痕跡大多已是模糊，但還是能看到坨具和解玉沙留下的粗細不均的坨刻痕跡，特別是在粗陰線的底部。雙溝陰線有不封口，一面坡工藝特徵明顯，線條轉折起伏有力，直刀乾淨利落，坨起坨落，線痕兩頭輕中間重；曲線婉轉自如，體現西周已經能熟練的運用青銅坨具，可以在極小的轉彎半徑裡坨刻出漂亮的弧線。通心對鑽孔道，一頭大一頭小，孔道中間細小，孔道中間有沁，孔道口光滑，再來看下沁色
Due to the long history, there is a thick oxide skin on the surface of the jade ware, and part of the shell is peeled off, so that the jade surface is uneven, with natural ups and downs and pits, giving off a soft luster. The feel is smooth and not astringent. The bottom line of the tuogong is consistent with the surface leather shell slurry, and naturally mixed into one. Due to the partial peeling of the shell, most of the polishing marks are fuzzy, but the uneven lump marks left by the Tuo ware and Jieyu sand can still be seen, especially at the bottom of the thick shade line. Shuanggou shady line has no seal, one side of the slope process characteristics is obvious, the line turning ups and downs powerful, straight knife clean, Tuo Tuo Tuo down, the two ends of the line mark light, the middle heavy; the curve is graceful and free, reflecting the Western Zhou Dynasty has been able to skillfully use bronze Tuo tools, can carve beautiful arc in a very small turning radius. Through the core drilling hole, one end is big, the other is small, the middle of the hole is small, there is a Qin in the middle of the hole, and the hole mouth is smooth. Let's have a look at Qinse
高：4com 重：58.32g
高：6com 重：60.18g
對於高古玉的沁色，清代劉大同的《古玉辯》寫的最為細緻和優美，古玉的沁色變化萬千，難以一概而論，自然沁色，難以人為模仿。這件商周玉人多彩沁色，黑紅黃褐色，五彩斑斕，非常漂亮。有通過絡隙外面滲入而產生的彩色沁，也有玉內質變產生的沁色變幻，內外交輝，變化層次豐富，非常美麗。
As for the color of Gao Guyu, the Qing Dynasty Liu Datong's "ancient jade debate" wrote the most detailed and beautiful. The color of ancient jade changes thousands of times, which is difficult to generalize. It is natural and hard to imitate. This jade of Shang and Zhou Dynasties is colorful, black, red, yellow and brown, colorful, very beautiful. There are the color changes produced by the infiltration of the outside of the network gap, and also the Qin color changes generated by the qualitative change of the jade. The internal and external interaction is brilliant, and the change level is rich and very beautiful.
高：9com 重：55.04g
高：8.3com 重：55.18g
