此类兽首玉踞人形玉器，双手护膝，牛首臣字眼，神态安详肃穆，踞坐，玉人臀部着地，似蹲坐。此类型玉神人远在红山文化时期就已出现，见红山太阳神人像，兽面人形多见，这类玉人我个人认为来源神人崇拜和自然祖先崇拜的巫文化。在殷墟出土的玉器，玉人造型写实多见 跽坐形人和站立形人。跽坐人形应是当时贵族阶层的日常坐姿，臀部坐在脚跟上。跽坐人形和站立形人，还有一种是跪人形在以后的周，春秋战国常有出现，不同的姿势的玉人代表有不同的含义和阶层，有些可能还特指某个人物。
This kind of beast head jade is perched on the human shaped jade ware, with both hands on the knee, and the words of Niu Shouchen. The jade man is sitting on his hip like a squat. This type of jade god man has appeared as far back as the Hongshan culture period. The sun god figure of Hongshan is seen, and the animal face human form is more common. I think this kind of jade man comes from the witch culture of God man worship and natural ancestor worship. In the jade artifacts unearthed in the Yin Ruins, the jade figures are mostly realistic in shape, with sitting and standing figures. The sitting figure should be the daily sitting posture of the nobility at that time, with the buttocks on the heels. In the Later Zhou Dynasty, the spring and Autumn period and the Warring States period often appeared. The jade figures in different postures had different meanings and classes, and some of them might also refer to a certain person.
高：5.5com 重：55.14g
高：9.5com 重：70.19g
玉人不同角度的整体器形和纹饰，高古玉的鉴赏可以从几方面来判断，首选从玉质，器形，纹饰上来鉴赏，玉人臣目圆睁，踞坐，双手护膝，神态安详肃穆，身上装饰双沟云纹，纹饰精美。勾云纹，是殷商和周前期玉器中非常典型和常见的纹饰。可串绳佩戴，也可摆设。玉质未受沁部分，脂白细腻熟润，看上去就像煮的半熟的萝卜，压手，触摸油润滑腻，手感非常舒服，为和田玉凝脂白玉。
The appreciation of Gaogu jade can be judged from several aspects. The first choice is to appreciate the jade quality, shape and ornamentation. The jade minister has wide eyes, sits on his seat, and his hands protect his knees. His manner is serene and solemn. His body is decorated with double furrow cloud patterns, and the ornamentation is exquisite. Gouyun pattern is a very typical and common pattern in the jade wares of Shang Dynasty and early Zhou Dynasty. It can be worn with string or decoration. The unadorned part of the jade is white, delicate and ripe. It looks like a half cooked radish. When you press your hand, you can feel greasy and smooth. It makes Hotan jade paste white.
高：7com 重：80.32g
高：8com 重：55.48g
由于年代久远，玉器表面有一层厚厚的氧化皮壳，部分皮壳剥离，以致玉器表面不平整有自然的起伏和坑洼，散发柔和的光泽，摸上去手感滑润不涩，坨工底部线条和表面皮壳包浆一致，自然混为一体。由于皮壳的部分剥离，抛光的痕迹大多已是模糊，但还是能看到坨具和解玉沙留下的粗细不均的坨刻痕迹，特别是在粗阴线的底部。双沟阴线有不封口，一面坡工艺特征明显，线条转折起伏有力，直刀干净利落，坨起坨落，线痕两头轻中间重；曲线婉转自如，体现西周已经能熟练的运用青铜坨具，可以在极小的转弯半径里坨刻出漂亮的弧线。通心对钻孔道，一头大一头小，孔道中间细小，孔道中间有沁，孔道口光滑，再来看下沁色
Due to the long history, there is a thick oxide skin on the surface of the jade ware, and part of the shell is peeled off, so that the jade surface is uneven, with natural ups and downs and pits, giving off a soft luster. The feel is smooth and not astringent. The bottom line of the tuogong is consistent with the surface leather shell slurry, and naturally mixed into one. Due to the partial peeling of the shell, most of the polishing marks are fuzzy, but the uneven lump marks left by the Tuo ware and Jieyu sand can still be seen, especially at the bottom of the thick shade line. Shuanggou shady line has no seal, one side of the slope process characteristics is obvious, the line turning ups and downs powerful, straight knife clean, Tuo Tuo Tuo down, the two ends of the line mark light, the middle heavy; the curve is graceful and free, reflecting the Western Zhou Dynasty has been able to skillfully use bronze Tuo tools, can carve beautiful arc in a very small turning radius. Through the core drilling hole, one end is big, the other is small, the middle of the hole is small, there is a Qin in the middle of the hole, and the hole mouth is smooth. Let's have a look at Qinse
高：4com 重：58.32g
高：6com 重：60.18g
对于高古玉的沁色，清代刘大同的《古玉辩》写的最为细致和优美，古玉的沁色变化万千，难以一概而论，自然沁色，难以人为模仿。这件商周玉人多彩沁色，黑红黄褐色，五彩斑斓，非常漂亮。有通过络隙外面渗入而产生的彩色沁，也有玉内质变产生的沁色变幻，内外交辉，变化层次丰富，非常美丽。
As for the color of Gao Guyu, the Qing Dynasty Liu Datong's "ancient jade debate" wrote the most detailed and beautiful. The color of ancient jade changes thousands of times, which is difficult to generalize. It is natural and hard to imitate. This jade of Shang and Zhou Dynasties is colorful, black, red, yellow and brown, colorful, very beautiful. There are the color changes produced by the infiltration of the outside of the network gap, and also the Qin color changes generated by the qualitative change of the jade. The internal and external interaction is brilliant, and the change level is rich and very beautiful.
高：9com 重：55.04g
高：8.3com 重：55.18g
