明清时期铜手炉的名款，主要是这几个名匠：“张鸣岐制”“潘凤祥制”“胡文明造”。字款大多在炉底正中处，錾刻而成。字体是阴刻小篆体，真品字体，遒劲自然，圆滑洒脱，刻工显得游刃有余。仿品字体刻板，粗糙，僵呆，浅浮，疲软。
In Ming and qing dynasties, the famous copper hand stove money, mainly these several famous carpenter: "zhang mingqi system" "pan fengxiang system" "hu civilization made". Words are mostly in the middle of the bottom of the furnace, chisel from. The font is a small seal, genuine font, strong and natural, smooth and free, carving work appears to be more than enough. Imitation font rigid, rough, rigid, shallow floating, weak.
在上面几种名款中，“张鸣岐制”字款的铜手炉较常见，可见张鸣岐的名头，比其他人的名头响亮。
In above a few kinds of famous money, "zhang mingqi makes" the copper hand stove of word money is more common, visible zhang mingqi's name, than other people's name is loud.
张鸣岐是明代晚期，浙江嘉兴人。他制作铜炉可与当时时大彬的紫砂壶媲美，当时就有“大彬壶，鸣岐炉”的美誉。
Zhang mingqi was a native of jiaxing, zhejiang province in the late Ming dynasty. His production of copper furnace can be compared with the then big bin of purple clay pot, then "big bin pot, Ming qi furnace" reputation.
明清时期，名家制作的铜手炉，大多用的是材质纯净的水红铜和紫红铜。好的铜手炉，一定是好工制作，其纹饰工艺普通的铜材无法做成，只有好的材质，塑性才好。清代中晚期以后，许多铜炉都是仿造明代名炉，由于材质的限制，用的大多是黄铜和白铜，加上匠人的工艺水平低，所以清代中晚期以后仿造的铜炉，工艺粗糙，器形不规整。炉盖和炉身，结合不紧凑，间隙大。
During the Ming and qing dynasties, copper hand stoves made by famous artists were mostly made of pure water copper and purple copper. Good copper hand stove, must be a good production, its decorative technology of ordinary copper can not be made, only good material, plastic just good. After the middle and late qing dynasty, many copper furnaces are imitation Ming dynasty furnace, as a result of the limitation of the material, with mostly brass and white copper, plus the craftsmen's craft level is low, so the late and middle qing dynasty after the imitation of copper furnace, rough craft, shape is not neat. Furnace cover and furnace body, not compact, large gap.
图中所示为张鸣岐制做的铜手炉，长8.5厘米，宽7.5厘米，高6厘米，其制作用锤打工艺，捶打而成，手工打磨的不亚于机械抛光，用手摸之，使人感到细腻，滋润有玉质感。胎体厚重，上手有明显的压手感，可炉盖又特别的薄，炉盖和炉身严丝合缝，天然自成。炉盖上的錾刻工艺，非常精致，錾刻的纹饰精美细腻，美仑美奂，是难得一求的稀世珍品
The copper hand stove made by zhang mingqi is shown in the picture, 8.5 cm long, 7.5 cm wide and 6 cm high. It is made by hammering and beating. The hand polishing is no less than the mechanical polishing. The body is heavy, the hand has the obvious pressure feel, but the furnace cover is special thin, the furnace cover and the furnace body close joint, natural. The chisel carving process on the furnace cover is very delicate, and the chisel carving patterns are exquisite and exquisite. It is a rare rarity
珍稀难得的铜手炉，其纹饰也非常稀少。明代铜手炉的纹饰，主要体现在炉盖上，有花卉植物，也有几何图案，还有文字，纹饰精细，疏朗。明代铜手炉的纹饰，除了炉盖上流行，炉身上纹饰较少，人物山水和动物的纹饰也比清代少。清代铜手炉较流行满器纹饰，纹饰显得繁缛细密，除了流行花卉植物，几何图案，文字纹饰外，还较流行山水人物，瑞兽纹饰。
Rare rare copper hand stove, its decoration is also very rare. The decoration of the bronze hand stove in Ming dynasty is mainly reflected in the lid of the furnace. There are flowers and plants, and geometric patterns, as well as characters. The decoration of copper hand stove in Ming dynasty is less than that of qing dynasty. Qing dynasty copper hand stove is more popular full implement grain is acted the role of, grain is acted the role of appears overelaborate and detailed, besides popular flower plant, geometrical design, character grain is acted the role of, still more popular landscape character, auspicious beast grain is acted the role of.
明代铜手炉，由于材质是红铜和紫铜，所以几百年的使用后，其包浆颜色铮亮油光，泛紫红和红黄，漆黑色;清代铜手炉，材质用的是黄铜和白铜，其包浆显得干涩，没有油亮感。清代铜手炉包浆颜色，明显不是明代铜手炉材质的包浆。
Ming dynasty copper hand stove, because the material is red copper and red copper, so after hundreds of years of use, its coating color shining oil, purple and red yellow, black paint; Qing dynasty copper hand stove, the material is brass and copper, its paste appears dry, no oily feeling. The color of the copper hand furnace in qing dynasty is obviously not that of the copper hand furnace in Ming dynasty.
明代名家制作的工艺好的铜手炉，有的价格已经超过百万了，那是凝聚古代工艺大师一身心血的精品，也是我国艺术宝库中不可多得的瑰宝，需要收藏的人，去认识它，了解它，珍惜它。
The craft good copper hand stove that Ming dynasty master makes, some price already exceeded a million, it is the high-quality goods that condenses ancient craft master a whole body painstaking effort, also be the rare treasure in our country art treasure house, the person that needs to collect, know it, understand it, cherish it.
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