龍泉窯是中國歷史上的一個名窯，宋代六大窯系。漢族傳統制瓷工藝的珍品。因其主要產區在浙江省龍泉市而得名。它開創於三國兩晉，結束於清代，生產瓷器的歷史長達1600多年，是中國製瓷歷史上最長的一個瓷窯系，它的產品暢銷於亞洲、非洲、歐洲的許多國家和地區，影響十分深遠。龍泉窯以燒製青瓷而聞名，在北宋早期以前的產品風格受越窯、甌窯、婺州窯的影響，特徵與三窯的產品相似。胎質較粗，胎體較厚，釉色淡青，釉層稍簿。
Longquan kiln is one of the famous kilns in Chinese history. There are six kiln systems in Song Dynasty. A treasure of traditional Chinese porcelain making. It is named because its main producing area is Longquan City, Zhejiang Province. It was founded in the Three Kingdoms and the two Jin Dynasties and ended in the Qing Dynasty. It has a history of producing porcelain for more than 1600 years. It is the longest porcelain kiln system in China's porcelain making history. Its products are sold well in many countries and regions in Asia, Africa and Europe, with profound influence. Longquan kiln is famous for firing celadon. Before the early Northern Song Dynasty, its product style was influenced by Yue Kiln, Ou kiln and Wuzhou kiln, and its characteristics were similar to those of the three kilns. The fetus is thick, the body is thick, the glaze is light green, and the glaze is slightly thin.
龍泉窯是中國歷史上的一個名窯，宋代六大窯系，因其主要產區在龍泉市而得名。它開創於三國兩晉，結束於明清，生產瓷器的歷史長達1600多年，是中國製瓷歷史上最長的一個瓷窯系，它的產品暢銷於亞洲、非洲、歐洲的許多國家和地區，影響十分深遠。
Longquan kiln is one of the famous kilns in Chinese history. It was named after the six major kilns in Song Dynasty because its main producing area is Longquan City. It was founded in the Three Kingdoms and the two Jin Dynasties and ended in the Ming and Qing Dynasties. It has a history of producing porcelain for more than 1600 years. It is the longest porcelain kiln system in China's porcelain making history. Its products are sold well in many countries and regions in Asia, Africa and Europe, with profound influence.
龍泉窯釉色蒼翠，北宋時多粉青色，南宋時呈蔥青色，沒有開片在器皿轉折處，往往露胎呈現胎色，瓷釉厚潤，裝飾上很少刻花、劃花，而流行用貼花、浮雕，例如在盤中常堆貼出雙魚圖案，在瓶身上貼出纏枝牡丹圖案。
The glaze of Longquan kiln is verdant. In the Northern Song Dynasty, it was mostly pink and blue. In the Southern Song Dynasty, it was green and green. There was no opening at the turning point of the utensils. The body of the utensils was often exposed. The glaze of the porcelain was thick and moist. There were few carved and scratched flowers on the decoration. However, decals and reliefs were popular. For example, the double fish pattern was often pasted on the plate and the tangled branches and peonies pattern was pasted on the bottle body.
南宋有章生一、章生二兄弟，在龍泉設窯廠，生一所燒的窯名“琉田窯”，又名“哥窯”；生二所燒的窯名“龍泉窯”，又名“弟窯”。
In the Southern Song Dynasty, there were two brothers, Zhang Shengyi and Zhang Shenger, who set up a kiln in Longquan. They produced a kiln named "ryutan kiln", also known as "Ge kiln"; the two kilns were named "Longquan kiln", also known as "brother kiln".
在今浙江省龍泉市境內，故名。窯址有大窯、金村、溪口、松溪等多處，北宋時有20多處，到南宋時有窯址40多處，其中以大窯、金村兩處窯址最多，質量也最精。
In Longquan City, Zhejiang Province, it is named. There are more than 20 kilns in the Northern Song Dynasty, and more than 40 in the Southern Song Dynasty. Among them, there are two kilns, Da Yao and Jin Cun, with the most excellent quality.
龍泉窯以燒製青瓷而聞名，在北宋早期以前的產品風格受越窯、甌窯、婺州窯的影響，特徵與三窯的產品相似。胎質較粗，胎體較厚，釉色淡青，釉層稍簿。北宋中晚期是龍泉發展的重要時期，並開始形成自己的風格。
Longquan kiln is famous for firing celadon. Before the early Northern Song Dynasty, its product style was influenced by Yue Kiln, Ou kiln and Wuzhou kiln. Its characteristics are similar to those of the three kilns. The fetus is thick, the body is thick, the glaze is light green, and the glaze is slightly thin.The middle and late Northern Song Dynasty is an important period for the development of Longquan, and began to form its own style.
胎體較為厚重，但造型規整，釉色由淡青轉為青黃，產品多生活用具為主，有碗、盤、杯、壺、瓶、罐等，在裝飾工藝上有刻花、劃花和蓖紋。圖案有花卉，飛鳥、魚蟲和嬰戲紋等。
The carcass is relatively thick, but the shape is regular. The glaze color changes from light green to cyan. The products are mainly household appliances, including bowls, plates, cups, kettles, bottles, cans, etc. in the decoration process, there are carving, flower drawing and castor pattern. The patterns include flowers, birds, fish and insects, baby play patterns, etc.
南宋時期龍泉窯得到空前的發展，龍泉青瓷進入鼎盛時期。這時，曾在唐和五代盛極一時的越窯青瓷業已凋零，唯有龍泉青瓷質量顯著提高，馳名中外的粉青、梅子青釉瓷色就是在南宋龍泉窯中燒製成功並把青瓷釉色之美推到頂峰。從窯址的瓷片來看產品有白胎（灰白）和黑胎厚釉兩大類。其中白胎青瓷約百分至九十幾，黑胎青瓷只是少量的，但質量很好，胎簿釉厚有紫口鐵足的特徵，與南宋郊壇下官窯瓷器有許多相同之處，這應是南宋紹興元年至紹興十九年時及其後相當長的一段時間內南宋朝廷令地方州府為宮廷代燒的官窯瓷器。南宋龍泉窯器型有碗、盤、盆、碟、盞、壺、罐、渣鬥、水注、水盂、筆筒、爐、琮、投壺、瓶等應有盡有。
In the Southern Song Dynasty, Longquan kiln developed unprecedentedly, and Longquan celadon entered its heyday. At this time, Yue Kiln celadon, which was once the most prosperous in Tang and Five Dynasties, has withered. Only Longquan celadon has significantly improved its quality. The famous blue and white glaze of pink and plum was successfully fired in Longquan kiln of Southern Song Dynasty and pushed the beauty of blue and white porcelain to the top. According to the porcelain pieces in the kiln site, there are two kinds of products: white body (gray white) and black body thick glaze. Among them, white celadon is only a small amount, but its quality is very good. The thickness of glaze in the book has the characteristics of purple mouth and iron foot. It has many similarities with the Guanyao porcelain under the altar in the Southern Song Dynasty. This should be the Guanyao porcelain that the local government of the Southern Song Dynasty ordered the local government to burn for the court during the period from the first year of Shaoxing in the Southern Song Dynasty to the 19th year of Shaoxing in the Southern Song Dynasty and for quite a long time afterwards. Longquan kilns in the Southern Song Dynasty were all kinds of wares, such as bowls, plates, basins, dishes, cups, pots, slag buckets, water pours, water bowls, pen barrels, furnaces, CONGs, throwing pots and bottles.
元代龍泉窯比宋時擴大了好幾倍。浙江省、甌江兩岸的窯址已發現有200多處，元代龍泉窯瓷器的特點是造型大多胎體厚重，除繼續生產宋時的器型外，創新品種有高足杯、菱口盤、荷葉蓋罐、環耳瓶、鳳尾樽等。質量不如南宋，胎質粗糙，釉面光亮者多，溫潤如玉者少，裝飾技法上有劃花、印花、貼花、堆花、鏤刻、點彩等。紋飾題材豐富，有云龍、飛鳳、花鳥、魚蟲、八仙、八吉祥、雜寶等，個別有文字裝飾。
Longquan kiln in Yuan Dynasty was several times larger than that in Song Dynasty. More than 200 kilns have been found in Zhejiang Province and on both sides of Oujiang River. The porcelain of Longquan kiln in Yuan Dynasty is characterized by its heavy body. In addition to the continuous production of Song Dynasty's utensils, the innovative varieties include Gaozu cup, lingkoupan, lotus leaf jar, ring ear bottle, Fengwei cup, etc. The quality is not as good as that of the Southern Song Dynasty. The tire is rough, the glaze is bright, and the jade is warm. The decoration techniques include flower cutting, printing, decal, flower piling, engraving, and stippling. There are many decorative themes, such as Yunlong, feifeng, flowers and birds, fish and insects, eight immortals, eight auspicious, miscellaneous treasures, etc., and some of them are decorated with words.
在龍泉窯的精湛技藝和精美的釉色及高超的質量影響下，除浙江境內多處窯址如大窯、金村、溪口、大白岸、小白岸、梧桐口、筆架山、項戶、道泰、山頭窯、松溪、馬垃力、安福口、安仁口、大方、大棋、下村、武溪等300餘處外，還有江西、福建兩省的多處窯址也仿燒龍泉青瓷。形成了一個龐大的龍泉窯系。這在宋、元民窯瓷器中是屈指可數，名列前茅的。
Under the influence of Longquan kiln's exquisite skills and fine glaze and superb quality, there are many other kiln locations besides Zhejiang, such as Dafa, Jin Cun, Xikou, dafai, Xiao Bai, Wutong Kou, Beacon Hill, Xiang Hu, Dao Tai, Shan Tou Yao, Songxi, Ma La Li, Anfu Kou, Anren Kou, Dafang, Da Qi, Xixia, Wuxi, etc. there are many other 300 kilns in Jiangxi and Fujian two provinces. It also imitates firing Longquan celadon. A huge Longquan kiln system has been formed. This is one of the few porcelain wares in the song and Yuan Dynasties.
s此碗撇口、深弧腹，小圈足，全碗施滿釉，釉色肥嫩青翠，透明度強，碗內壁裝飾刻劃海浪花紋，半刀泥（斜刀）技法純熟，線條奔放有力，自由瀟灑，頗有北宋曲陽定窯的技藝風格。外壁光素無紋飾，釉面開細碎紋片，釉色瑩潤光潔，溫潤如玉，施釉勻淨，圈足淺而小，足心無釉但有明顯的墊燒痕，此碗造型端莊大方，修胎規整，碗沿向外微折，造型古樸大方，製作講究，釉面光滑細膩，並由開片相間，手感溫潤瑩澈，整器品相良好，胎骨適中，釉面平滑滋潤，釉質乳濁潤澤，刻花紋飾刀法勁健有力，線條瀟灑飄逸，一氣呵成，盡顯功底。極具收藏價值及藝術價值！
Recommended by experts: this bowl is full of glazes, with a deep arc and a small circle foot. The glaze color is fat, tender and green, with strong transparency. The inner wall of the bowl is decorated with wave patterns. The half mud (oblique knife) technique is skilled, with bold and powerful lines, free and unrestrained. It has the skill style of Ding kiln in Quyang of the Northern Song Dynasty. The outer wall of the bowl is smooth and plain, and the glaze is broken into fine pieces. The glaze is bright and clean, warm and jade like. The glaze is applied evenly, the ring foot is light and small, the foot heart is unglazed but there are obvious burn marks. The bowl has a dignified and generous shape, a regular repair tire, a slightly folded outward rim, a simple and generous shape, and the production is exquisite. The glaze surface is smooth and delicate, and the opening is alternate. The hand feels warm and crystal clear. The whole product looks good, and the tire bone is suitable Among them, the glaze is smooth and moist, the enamel is turbid and moistened, the carving pattern is vigorous and powerful, the lines are natural and elegant, and the skill is fully demonstrated. Great collection value and artistic value!
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