此画名为《喜鹊登枝 富贵锦鸡 花鸟图》由宋代著名书画大家 李成 老师作品、 画风喜庆，线条流畅，上有喜鹊登枝，下有富贵锦鸡、此画一目了然，观此图给人一种繁华富贵感觉、此画在这个流传当中，由明代著名画家 祝枝山 先生收藏鉴赏过、后流传到清宫旧藏、由清代乾隆皇帝鉴赏，乾隆帝尤其喜欢，特意加盖鉴赏印章，到了晚清慈溪太后也有鉴赏加盖印章、尤为凸显出此画的收藏价值、此画在民国时期流传至民间、目前具有很高的收藏价值！此画规格长126cm宽63cm总共七平尺。
This painting is called "Magpie Tengzhi Rich Brocade Chicken Flowers and Birds Picture" by the famous calligrapher and painter Li Cheng of the Song Dynasty. The painting style is festive, the lines are smooth, magpie Tengzhi is on the top, and rich brocade chicken is on the bottom. It is clear at a glance that viewing this picture gives people a sense of prosperity and nobility. Zhuzhi is a famous painter of the Ming Dynasty. Mr. Shan collected and appreciated the old collection of the Qing Palace, which was appreciated by Emperor Qianlong of the Qing Dynasty. Emperor Qianlong especially liked it. Empress Dowager Cixi of the late Qing Dynasty also had the appreciation and stamp, which highlighted the collection value of the painting. The painting spread to the people during the Republic of China, and the specifications of the painting were 126 cm long and 63 cm wide. Seven square feet
北宋初期的画坛，范宽、关仝、李成称雄，但此消彼长，到中期时就只有李成一枝独秀了。李成是唐宗室的后裔，此时已家道衰落，虽独创画格，名重当时，但似乎仍无意以此为业，“吾儒者，粗识去就。山水，弄笔自适耳，岂能奔走豪士之门与工技同处哉”。然而才命不遇，遂放意于诗酒间，终醉死客舍，年仅四十九岁。但其坚挺圆健的勾勒，淡墨精秀的墨法，独创的“蟹爪树”、“鬼脸石”，却后继有人。
In the early Northern Song Dynasty, Fan Kuan, Guan Ting and Li Cheng were the most powerful painters, but in the middle of the Song Dynasty, only Li Cheng was outstanding. Li Cheng, a descendant of the Tang imperial clan, was in decline at this time. Although he created his own painting style and was well-known at that time, he still seemed to have no intention of taking it as his career. Landscape, make a pen to suit your ears, how can you run through the door of the hero and work together? Nevertheless, he was only forty-nine years old when he met his destiny, and was at ease in the poetry and wine room and eventually drunk to death in the guest house. But its strong and round outline, light ink exquisite ink, original "crab claw tree" and "grimace stone", but successors.
李成画的特点、宋画大多用绢作画本，绢利于勾勒，湿笔皴、染。李成的雄强遒劲、弧曲而极富折转韵律的勾线，
可以说将中国画的线条之美发挥到。然而，随着元代文人画的兴起，渐渐改用纸作画本，纸利于干笔皴擦，而文人崇尚“平淡天真”的意趣，于是改以五代的董源、巨然为宗师，勾、皴的线条渐渐变得松秀率意，与宋画的铁画银钩、法度谨严大相径庭。这种技法上的演变，在山水画中尤为明显，那是因为文人对山水画情有独钟，至“元四家”崛起，其技法已臻佳境。然而人物、花鸟画却在元以后渐遭冷落，故虽也受山水画变法的影响，但毕竟没有形成一整套完善的新技法。
The characteristics of Li Cheng's paintings and Song paintings mostly use silk as picture books. Silk is conducive to sketching, wet brush and dyeing. Li Cheng's strong, strong, curved and rhythmic lines.
It can be said that the beauty of lines in Chinese painting can be brought into play. However, with the rise of literati paintings in the Yuan Dynasty, paper was gradually used as picture books, which was beneficial to dry brush rubbing, while literati advocated the "plain innocent" interest, so they changed to Dong Yuan and Juran of the Five Dynasties as masters, and the lines of Gou and Chao gradually became loose and straightforward, which was quite different from the iron and silver hooks and rigorous law of Song paintings. The evolution of this technique is particularly evident in landscape paintings, which is because the literati have a special love for landscape paintings, to the rise of the "Four Families of the Yuan Dynasty", its technique has reached a good state. However, figure and flower-and-bird paintings were gradually neglected after the Yuan Dynasty, so although they were also influenced by the landscape painting reform, after all, they did not form a complete set of new techniques
.此画现委托深圳艺拍国际展览服务有限公司全权交易，此画即将在2019年1月份在新加坡国际拍卖会上竞价拍卖，有对此画有兴趣的收藏家和投资者， 可以联系本公司工作人员，前来公司实物观赏。This painting is now entrusted to Shenzhen Art Painting International Exhibition Services Co., Ltd. for full trading. The painting will be auctioned at the Singapore International Auction in January 2019. Collectors and investors interested in this painting can contact our staff to come to the company for in-kind viewing.
