宋代風格青釉八方貫耳瓶

柴窯被尊為中國的“瓷皇”位列五大名窯之首,柴、汝、官、哥、定。柴窯是後周皇帝柴榮所創燒,所以稱柴窯,它是唯一以人姓氏命名的官窯瓷。古代,柴窯是唯一的燒造方式。因此,也造就了柴窯出品必是珍品的行業奇蹟。對於人類來說,柴窯如同大自然對人類的饋贈,它的美不在燒成而在驚喜。在生火的一瞬間,藝術已經將一切都交給了未知,浴火重生中期待那個煥然一新的作品。不確定性給了陶土另一個煥然一新的生命,人與土,窯與柴,火與自然,這絕妙的組合造就了一首柴窯生命交響曲!因此,柴窯瓷器的研究收藏鑑賞價值一直都是各大瓷器之首!

Maintain revered as the "porcelain" the emperor of China is among the first of five ancient jun, wood, ru, officer, elder brother,. Maintain erros is made by the emperor guo rong to burn, so according to maintain, it is the only named after people surnames of kiln porcelain. In ancient times, maintain is the only way of fire. Therefore, also contributed to maintain product must be treasures wonder of the industry. In humans, maintain as a gift of human nature, the beauty of it is not burnt in surprise. At the moment of fire, art has handed everything is unknown, the bath fire rebirth in the expectation that a new film. Uncertainty for clay another a new life, and man and earth, kiln with wood, the fire and nature, this wonderful combination created a symphony maintain life! Maintain porcelain collection of research, therefore, first of appreciation value has been a major porcelain.

宋代風格青釉八方貫耳瓶

文中此宋代風格青釉八方貫耳瓶便是柴窯燒製,其造型穩健淳樸,口沿釉薄微露胎色,形成青口,胎色深灰,釉色粉青,釉面青翠溫潤如玉,器身開大片冰裂紋。腹、頸八方、兩肩配以貫耳,造型簡捷雅緻,乾淨利落。此瓶的裝飾處理與瓷釉的完美結合,其做工非常難,圈足亦隨腹壁色澤變換而起伏變化,通體施青灰色釉,釉面開細碎片紋,造型優雅、大方,開片線條極富美感,又富於變化,堪稱中國古代瓷器的典範,被視為珍品。

In the song dynasty style blue glaze penetration ears is maintain fire and its sound simple modelling, mouth along the glaze arts of thin, color, form the mussels, color dark gray, blue glaze color powder, glaze green jade, body open large ice crack. Abdomen, neck sides, shoulders with penetration ears, modelling is simple and elegant, clean. The bottle of the processing and the perfect combination of porcelain glaze decoration, its workmanship is very difficult, ring foot also to modulate the transformation of the abdominal wall colour and lustre, perfect its glaze, glaze finely slice open lines, modelling elegant, generous, slitting line is extremely rich aesthetic feeling, and abound change, can be rated as the model of the ancient Chinese porcelain, is regarded as treasures.

宋代風格青釉八方貫耳瓶

細細觀賞之下更可看出此瓷器通體胎色灰白,胎質較粗;釉層較厚,釉層內氣泡密密麻麻,在放大鏡下看大氣泡有碗豆大,小的有芝麻大,介乎其間的較少,每個氣泡都圓潤明亮,象荷葉上的水珠一樣。每個大氣泡都會因收縮而在器表面造成凹陷的小坑;老舊氣明顯,但掩不住明亮的視覺效果;開片明顯,有刺手的感覺;足部粗糙並粘有黃土;器形壯重肅穆、古樸典雅、小中見大,乃難得一見的柴窯珍品。

Carefully watch under more can see the grey color porcelain brick tyres, TaiZhi coarser; Air bubbles in the thick glaze, glaze layer, dense, under a magnifying glass to see big bubbles have peas, small with sesame big, between them is less, each bubble round and bright, like water droplets on a lotus leaf. Every big bubbles caused by shrinkage in the device surface concave pit; Old gas is obvious, but can't cover up the visual effect of bright; Slicing, a sting hand feeling; Foot is rough and with loess; The shape of strong heavy solemn, of primitive simplicity, elegance, small in see big, is the maintain of rare treasures.

宋代風格青釉八方貫耳瓶

值得一提的是柴窯瓷器由於其是純柴火燒製,所以其成品率低。窯爐內前端溫度偏高,後端偏低中間溫度最合適,因此同一爐燒出來的瓷器質量有很大差異,成品率低,但也是這個原因使得瓷器窯變過程中每一件都成為舉世無雙的孤品。

It's worth noting that maintain porcelain is due to its pure wood fire, so the yield is low. After furnace temperature on the high side, the front end is low among the most appropriate temperature, so there is a big difference between the same furnace to burn out the quality of the porcelain, yield is low, but is also one of the reasons in the process of making porcelain kiln everything become world-beaters orphan works.


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