在2018米蘭設計周Fuorisalone展覽中，Labrics公司展出了名為Visionaird的裝置作品。這個裝置聚焦在視角反轉的概念上。作為原型，這個項目延續了Labrics建築工作室對於空間與結構之間關係的研究。這個項目的出發點來自於對反轉視角的思考，Elica品牌曾經使用這個概念來描述了在最近的實驗中有抱負的人的思維模式的轉變。
Labics at Fuorisalone 2018 in Milan presents Visionair, an installation that insists on reversing the point of view. Conceived as a prototype, this work continues the research of the architecture studio on the theme of the relationship between space and structure. Marco Cappelletti’s photographs document the intervention. The idea behind the project stems from a reflection on the theme of reversal of the point of view, concept used by the brand Elica to describe the paradigm shift underlying the recent experiments on aspiring hobs.
▼裝置一覽，installation overview
裝置位於名為Ca‘ Granda的小型建築中，建築本身的存在非常強烈。當人們接近這個裝置時，它會慢慢展現自己，讓人們察覺到其中內部空間的存在。這是一個不尋常的空間，它邀請參觀者進入一個超現實的、顛倒的現實維度。當人們跨越門檻，進入室內空間時，會想起進入家時被歡迎、被保護的感覺。同時它也隱喻著一扇門，通過它人們可以進入Elica的世界。
The installation is a visible object inside the Ca‘ Granda, a small architecture that immediately communicates its presence; a structure that, when approaching, reveals itself, letting perceive the presence of a space inside, an unusual space that invites the visitor to enter a surreal and upside-down dimension of reality. The act of crossing a threshold, of entering an interior space, alludes to the imaginary of the home, which welcomes and protects. But it is also a metaphor for a large door through which it is possible to access the Elica universe.
▼當人們接近裝置時，會發現其內部隱藏的空間；people will find the hidden internal space when approaching the installation
鏡像材料在外部創造抽象的圖像，內部則給人以沉浸感。內部的視頻圖像被打破、翻倒，重新組合成新的形式，就像萬花筒一樣。訪客置身其中，彷彿參與到了一個意想不到的故事當中。裝置本身使用的材料和設計語言與其周圍的環境完全獨立，與鄰近的柱廊對話，並在當中找到了與現存環境的強烈的辯證關係。在這段關係中裝置本身也找到自己的幾何形態與空間矩陣。最基本的模型來自於柱廊的韻律。每個單元1.17m寬，是柱間寬度的1/3，包括三組豎向表面的交點，其中兩組與柱廊平行，另一組傾斜45度。從這個簡單的幾何開始進行三次切割：第一次生成內部空間，第二次迎合現存的樹，讓它變成組合的一部分，第三次則決定了朝向天空的對角方向的部分。
The choice of mirroring materials creates an abstract image from the outside and immersive from the inside. As in a kaleidoscope, the video images of the interior are broken down, overturned, recomposed in new forms, generating an unexpected story of which the visitor is completely part of. The installation, completely independent of the context in terms of language and materials, finds a strong dialectic relationship with the existing through a close dialogue with the neighbouring portico, finding in it its own geometric and spatial matrix. The basic model is generated starting from the rhythm of the portico, a square matrix of 1.17 m – one third of the intercolumnio – and consists of the intersection of three families of vertical surfaces, two oriented parallel to the porticoes, one inclined at 45 degrees. Starting from this simple geometry three cutting operations were carried out: the first generates the internal space, the second accommodates the existing tree making it become part of the composition, the third finally defines the diagonal section that tends towards the sky.
▼裝置正前方的樹也被容納到設計之中，the tree in front of the installation is also part of the design
▼內部的視頻圖像被打破、翻倒，重新組合成新的形式，就像萬花筒一樣；as in a kaleidoscope, the video images of the interior are broken down, overturned, recomposed in new forms
▼裝置的幾何基於背景建築柱廊的大小，the dimension of the basic geometry comes from the portico of the background building
▼裝置的設計語言與歷史建築形成強烈的對比，the design language of the installation has a strong contrast with the historic building
▼模型，the model
▼較低處平面，the lower level plan
▼頂部平面，the top plan
▼剖面AA，section AA
▼立面，the elevation
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