如诗 · 如画 —— 曲湘建油画风景展
艺术家| Artist: 曲湘建| XiangJian Qu
策展人| Curator：张海龙 | HaiLong Zhang
开幕酒会| Opening: 2019.3.29 16:00
展览时间| Exhibition Dates: 2019.3.29-2019.6.13
主办 | Sponsor: 综改区总裁俱乐部文化艺术中心
山西唐赫文化传播有限公司
承办 | Organizer: 山西释艺文化交流有限公司
地点| Venue
释艺艺术空间| ShiYIArt Gallery
地址| Add
综改区四号楼C座11层（太原市小店区龙盛街与唐槐路十字路口西南角）
Venue: ShiYiArt Space, Eleven Floors, Block C, Building 4, Comprehensive Improvement District (Southwest corner of Longsheng Street and Tanghuai Road intersection, Xiaodian District, Taiyuan City)
曲湘建的风景画有三个特点。其一是造型能力很强，无论是仔细的刻画还是大笔的概括，都是笔笔到位，形象准确生动。其二是对颜色的控制，他以自然的色调为基础，同时有主观的提炼，主客观和谐统一，色调优美，又不失创造的活力。其三是画面的构图非常完整，强调视觉中心的主体作用，远近结合、虚实相间、层次分明。远景似登高远望，近景如身临其境，颇有从荷兰画派到巴比松的自然主义气派。
Quxiangjian's landscape paintings have three characteristics. One is that they have strong modeling ability. Whether they are carefully depicted or summarized, they are all in place with accurate and vivid images. The second is the control of color, which is based on the natural tone and has the subjective refinement. It is harmonious and unified between the subjective and the objective, with beautiful tone and creativity. Thirdly, the composition of the picture is very complete, emphasizing the main role of the visual center, the combination of far and near, the alternation of virtual and real, and the distinct hierarchy. Prospects seem to rise high and far, and near-sights are immersed in it. There are naturalistic styles ranging from Dutch painting to Babbason.
▲灰色的涅瓦河 布面油彩 60x80cm 2017
The Grey Neva River Oil on canvas 60×80cm 2017
古希腊哲学家柏拉图说过，艺术有三个要点，模仿、技术和理念，第三个他没说出来，因为艺术还没有理念的支配，所以他要把艺术驱逐出他的理想国。反过来说，如果艺术（模仿与技术）有了理念，那艺术就是完美的了。理念是看不见的，它超越视觉的表面，给艺术注入生命。曲湘建的作品正是与该观念镶嵌在一起。
An ancient Greek philosopher, said that art had three main points: imitation, technology and ideas. The third one he did not say, because art had not yet been dominated by ideas, so he wanted to expel art from his Republic. Conversely, if art (imitation and technology) has ideas, then art is perfect. Idea is invisible. It transcends the surface of vision and injects life into art. Qu Xiangjian's works are just embedded with this concept.
18世纪的时候，一个英国哲学家提出“如画”的概念，风景要“如画”。风景本身不是画，对风景的逼真模仿也不是画，只有“如画”才是画。这个“画”指的是理念、理想，只有赋予了理念，寄托了理想，被复制的自然才成为作为艺术的一幅画。更重要的是，理念或理想不是作为工具运用于作画，而是将艺术活动作为精神活动，在艺术家的创作过程中，灌注到艺术作品中去的。
In the eighteenth century, an English philosopher put forward the concept of "picturesque" in which scenery should be "picturesque". Landscape itself is not a picture, and the realistic imitation of the landscape is not a picture, only "picturesque" is a picture. This "painting" refers to ideas and ideals. Only by endowing ideas and placing ideals on them, can nature be reproduced as a painting of art. More importantly, ideas or ideals are not used as tools in painting, but as spiritual activities, which are perfused into artistic works in the process of artists'creation.
▲伊萨教堂的钟声 布面油彩 60x80cm 2015
Bells of Issa Church Oil on canvas 60×80cm 2015
▲恩河 布面油彩 80x60cm 2014
Kindness River Oil on canvas 80×60cm 2014
很多人都佩服曲湘建的技术，如此高超的技术造就如此动人的风景。技术确实是很重要的，画什么像什么，不是光凭眼睛的观察就能做到的，技术后面有观念的支配。
Many people admire Quxiangjian's technology, so superb technology to create such a moving landscape. Technology is really very important. What is painted and what is painted can not be achieved by eye observation alone. There is an idea behind technology.
▲边城拉拉渡 布面油彩 80x80cm 2018
The Border City of Laladou Oil on canvas 80×80cm 2018
▲秋后的玉米秸 布面油彩 60x80cm 2015
Corn stalk after autumn Oil on canvas 60×80cm 2015
▲金沙江 布面油彩 100x80cm 2016
Jinsha River Oil on canvas 100×80cm 2016
▲三月的小溪 布面油彩 50x60cm 2019
A stream in March Oil on canvas 50×60cm 2019
“山不在高，有仙则名。水不在深，有龙则灵。”曲湘建的风景少有宏大叙事，他画的都是一些平凡的小景，小河边孤独的树影，阡陌处落寞的村庄，都被他如实地描绘出来。他确实画得很逼真，色调接近自然，就像我们在自然中的感受一样。但他的用笔却是舒展和随意，随意之中，景物栩栩如生，树的枝叶，水的倒影，房屋的质感等等，都画得像自然生成。如实不是目的，如实中充满诗意，自然中寄托了情操，如实其实是如画。这就是曲湘建的特点。
易英
中央美术学院教授
博士生导师
中国著名美术理论家
2019,3,3
"Mountains are not high, but fairies are named. Water is not deep, dragons are spiritual." Qu Xiangjian's scenery is seldom grand narrative. He paints some ordinary small scenery, the lonely tree shadow by the riverside, and the lonely villages by the Qianmo are all depicted truthfully by him. He did paint very vividly, with tones close to nature, just as we feel in nature. But his pen is stretching and random, random, vivid scenery, branches and leaves of trees, water reflection, the texture of the house, etc., are all painted like natural generation. Truth is not an end. Truth is full of poetry. Nature places sentiment on it. Truth is actually picturesque. This is the characteristic of Quxiangjian.
Yi Ying
Professor, Central Academy of Fine Arts
Doctoral Supervisor
Famous Chinese Art Theorists
2019,3,3
部分参展作品欣赏
▲圣母升天大教堂 布面油彩 80x60cm 2018
Assumption Cathedral Oil on canvas 80×60cm 2018
▲雨后洞庭 布面油彩 80x60cm 2018
Dongting after rain Oil on canvas 80×60cm 2018
▲山间小水坝 布面油彩 60x50cm 2017
Small mountain dams Oil on canvas 60×50cm 2017
▲故居荷塘 布面油彩 120x90cm 2016
Lotus pond in former residence Oil on canvas 120×90cm 2016
▲水闸 布面油彩 80x60 cm 2014
Sluice Oil on canvas 80×60cm 2014
▲大理三塔 布面油彩 60x80cm 2015
Dali Three Pagodas Oil on canvas 60×80cm 2015
▲小溪 布面油彩 50x60cm 2010
Brook Oil on canvas 50×60cm 2010
▲晶莹剔透的哈乌尔河 布面油彩 80x60cm 2014
Shining Hawuer River Oil on canvas 80×60cm 2014
▲香格里拉 布面油彩 100x80cm 2013
Shangri-La Oil on canvas 100×80cm 2013
▲靳江河 布面油彩 100x80cm 2014
The river of Jin Oil on canvas 100×80cm 2014
▲西藏晒佛节 布面油彩 100x80cm 2017
Tibet Sunning Buddha Festival Oil on canvas 100×80cm 2017
▲北方云影 布面油彩 50x60cm 2017
Clouds and Shadows in the North Oil on canvas 50×60cm 2017
▲洞庭小舟 布面油彩 60x80cm 2015
Dongting rowboat Oil on canvas 60×80cm 2015
▲桃花溪水 布面油彩 60x80cm 2013
Peach blossom stream Oil on canvas 60×80cm 2013
▲白色游艇 布面油彩 50x60cm 2017
White yacht Oil on canvas 50×60cm 2017
▲清河水鸭 布面油彩 50x60cm 2018
Qingshui River duck Oil on canvas 50×60cm 2018
▲村边小溪 布面油彩 60x80cm 2013
Village brook Oil on canvas 60×80cm 2013
▲喝水的奶牛 布面油彩 80x60cm 2014
Drinking cows Oil on canvas 80×60cm 2014
▲茶峒渡口 布面油彩 80x60cm 2018
Cha Tong ferry crossing Oil on canvas 80×60cm 2018
▲小溪流过村庄 布面油彩 80x80 2013
A stream flows through the village Oil on canvas 80×80cm 2013
▲纯溪 布面油彩 80x80cm 2017
Stream water Oil on canvas 80×80cm 2017
▲春田 布面油彩 100x80cm 2017
Springfield Oil on canvas 100×80cm 2017
▲矮寨 布面油彩 60x80cm 2018
Dwarf Village Oil on canvas 60×80cm 2018
▲江心岛 布面油彩 60x60cm 2017
River Heart Island Oil on canvas 60×60cm 2017
▲拉托加湖 布面油彩 60x60cm 2017
La to Lake Oil on canvas 60×60cm 2017
▲复船湿地 布面油彩 80x80cm 2013
Reclamation wetland Oil on canvas 80×80cm 2013
1954 出生于湘潭市
1982 湖南师范大学美术系 学士
1984 中央美院油画系研究生班
现任 湖南师大美术学院教授，博士生导师，中国美术家协会会员，北京中国写意油画研究院理事，湖南省油画学会常务副会长，湖南省当代油画院院长，中国南方油画山水画派成员，国家艺术基金评委。
曲湘建
著作出版
曾出版美术专著《无语瞬间--一个写实油画家的创作手记》等九部
主编出版教育部统编教材《油画》等四部
参展经历
第八届全国美展
第十一届全国美展获奖作品展
第三届中国油画展
中国精神-第四届中国油画展
可见之诗—第二届中国油画写生作品展
纪念辛亥革命一百周年赴日油画展
再写生，共写意—中国油画名家写生研究展
纪念中国工农红军长征胜利80周年美展
文墨传薪2017-中国写意油画名家研究展
辉煌岁月•红色经典--湖南百年历史美术作品展
油画作品《送郎参军》入选《铭记历史开创未来中俄美术作品展》在莫斯科展出
历史画《相会在甘孜》被中国人民革命军事博物馆收藏