用漆塗在各種器物的表面上所製成的日常器具及工藝品、美術品等，一般稱為“漆器”。生漆是從漆樹割取的天然液汁，主要由漆酚、漆酶、樹膠質及水分構成。用它作塗料，有耐潮、耐高溫、耐腐蝕等特殊功能，又可以配製出不同色漆，光彩照人。在中國，從新石器時代起就認識了漆的性能並用以制器。歷經商周直至明清，中國的漆器工藝不斷髮展，達到了相當高的水平。中國的熗金、描金等工藝品，對日本等地都有深遠影響。漆器是中國古代在化學工藝及工藝美術方面的重要發明。
Daily utensils, handicrafts, art, etc., which are painted on the surface of various utensils, are generally referred to as "lacquerware". Raw lacquer is a natural liquid juice cut from lacquer trees, mainly composed of urushiol, laccase, gum and moisture. It is used as a coating, and it has special functions such as moisture resistance, high temperature resistance and corrosion resistance. It can also be used to prepare different color paints. In China, the performance of the paint has been recognized since the Neolithic Age and used to make the machine. After the Shang and Zhou dynasties until the Ming and Qing Dynasties, China's lacquerware process has continued to develop and reached a fairly high level. China's gold, gold and other handicrafts have far-reaching effects on Japan and other places. Lacquer ware is an important invention in ancient China in chemical technology and arts and crafts.
（1）制胎 [4] 漆器工藝的胎身常用木胎和脫胎兩種形式。製作木胎漆器要精選紋理細不變形的優質木材製作榫卯無縫式木胎；而脫胎則是以泥土、石膏等塑成胎坯，以大漆為粘合劑，用苧麻布或者絲綢布在胚胎上逐層裱，待 陰乾後脫去原胎留下漆布雛形，再經過上灰底、打磨等多道工序製成堅實輕盈的胎體。
（2）採漆
剔犀工藝使用的是兩種以上天然大漆（天然大漆它是指從漆樹上刻下來的漆液，也叫生漆、國漆）在一定的胎體上有規律、有層次的交替髹塗累積到一定厚度（一般需要髹漆百餘道，歷時四個月之久）。大漆採自漆樹，每年三伏天，漆農用河蚌殼破開樹皮，在樹木上劃開如柳葉刀的刀口，樹體就會滲出乳白色液體，順著柳葉口緩緩流入竹筒，然後讓有經驗的工匠製成大漆。
（3）髹漆
每一件漆器剔犀工藝品都是用黑紅兩種顏色的大漆髹漆，至少要有5個紅色層和5個黑色層組成，每個色層要經過數十遍上漆來覆蓋下方色層，而且每遍上漆厚度要一致，每一遍上漆都要在恆溫恆溼的地窨中用24小時氧化，歷經百餘天，歷經百遍塗漆，才能達到剔犀漆器工藝品需要的厚度，這就是傳統手工藝的功力和艱辛所在。
（4）描繪
紋飾是描繪剔犀工藝的外在美麗紋飾，再用刀加以剔刻，因刀口斷面清晰，層層漆紋大都以迴旋生動，流轉自如的雲紋回鉤組成。
（5）剔刻
剔刻是漆器剔犀工藝重要步驟之一，通過掀、撓等工藝步驟，使其紅黑相間的紋飾呈現在我們眼前。
（6）推光
推光是漆器剔犀工藝的最後一個步驟，用老舊房子上的灰磚粉末細細打磨漆器剔犀工藝品的每一個角落，用適當的力度，上百次的打磨，才能拋光出燦爛的漆器剔犀工藝品。
(1) Tiremaking [4] The lacquer ware process is commonly used in the form of wooden tires and tires. The wooden lacquer ware should be made of high-quality wood with fine texture and no deformation. The wooden tire is made of clay, gypsum, etc., and the lacquer is made of lacquer or silk. The cloth is layered on the embryo layer, and after being dried in the shade, the original tire is removed to leave the varnish prototype, and then through the graying, polishing and other processes to make a solid and lightweight carcass.
(2) Painting
The rhinoceros process uses two or more natural lacquers (natural lacquers, which refer to lacquers, also known as raw lacquers, lacquers, which are engraved from lacquer trees) on a certain carcass with regular, layered alternate smears. Accumulated to a certain thickness (generally it takes more than a hundred paints, which lasts for four months). The lacquer is collected from the lacquer tree. Every year, the lacquer farmer uses the river clam shell to break the bark. When the tree is cut open like a lancet, the tree will seep out the milky white liquid and slowly flow into the bamboo tube along the willow mouth. Then let the experienced craftsman make the lacquer.
(3) enamel paint
Each lacquer-tipped rhinoceros craft is made of black and red lacquer, which consists of at least 5 red layers and 5 black layers. Each color layer is painted over dozens of times to cover the underlying color. Layer, and the thickness of each lacquer should be consistent. Each lacquer should be oxidized in a constant temperature and humidity cellar for 24 hours. After more than 100 days, after hundreds of paintings, the thickness required for the lacquer ware can be reached. This is the skill and hardship of traditional handicrafts.
(4) depicting
The ornamentation is an externally beautiful ornament depicting the rhinoceros process, and then knives are used to etch it. Because of the clear cross section of the knife edge, the layers of lacquer are mostly composed of a swirling and vivid moiré.
(5) tick
Tick engraving is one of the important steps in the lacquer ware rhinoceros process. Through the process steps of smashing and scratching, the red and black patterns are presented in front of our eyes.
(6) Pushing light
Pushing the light is the last step of the lacquer ware rhombic process. Use the gray brick powder on the old house to polish the lacquer ware and every corner of the rhinoceros craftsmanship. With proper strength and hundreds of grindings, you can polish the brilliant lacquerware. Tick the rhinoceros crafts.
此件藏品為山水樓閣漆器賞瓶，尺寸：高：42cm.口徑：11cm.底座：14cm. 此瓶撇口，短頸，圓腹，圈足帶底座。整體胎為脫胎工藝。整體外表剔紅工藝，內部剔黑工藝，外表兩面對稱剔刻山水樓閣畫面圖。此器造型飽滿，運用原料珍貴、工藝繁雜，光澤瑩潤，紋飾華美、堅固耐用。漆器的各種工藝都淋漓盡致的體現在這件藏品上，精美絕倫，盡展中國漆器雋秀爾雅的藝術風韻，絕對是極具民族傳統特色的手工藝精品。極具欣賞收藏價值。
This collection is a landscape lacquer ware bottle, size: height: 42cm. Caliber: 11cm. Base: 14cm. This bottle mouth, short neck, round belly, circle foot with base. The overall tire is a tire removal process. The overall appearance of the red-tonning process, the internal blackening process, the appearance of the two sides of the symmetrical etched landscape map. The shape of the device is full, using precious materials, complicated craftsmanship, lustrous and lustrous, and the decoration is gorgeous and durable. The various lacquer wares are fully embodied in this collection, exquisite and exquisite, and showcasing the artistic charm of Chinese lacquer wares. It is definitely a handicraft product with national traditional characteristics. Very enjoyable collection value.
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