Es Devlin在奧斯卡•尼邁耶博物館周圍創造了蜿蜒的路易•威登時裝步道
Es Devlin creates meandering Louis Vuitton catwalk around Oscar Niemeyer museum
英國佈景設計師Es Devlin為奧斯卡•尼邁耶（Oscar Niemeyer）設計的現代藝術博物館創作了一條扭曲的步道，用於奢侈品牌路易•威登（Louis Vuitton）Cruise系列時裝秀。
Devlin與路易•威登（LV）的創意總監、法國時裝設計師Nicolas Ghesquiere合作，為LV在巴西的展覽進行場地設計。
British set designer Es Devlin has created a twisting pathway around the Oscar Niemeyer-designed Museo de Arte Contemporáneo de Niterói for the Louis Vuitton Cruise Collection catwalk show (+ slideshow).
Devlin collaborated with Louis Vuitton's creative director, French fashion designer Nicolas Ghesquiere, to create the set for the brand's recent show in Brazil.
設計師選擇了由里約傳奇的巴西建築師奧斯卡•尼邁耶設計的當代藝術博物館作為此次活動的場地，用於LV的年度時裝秀。
“我們構思了這樣一個環境，直接呼應尼邁耶的未來主義建築，以及它周圍的非凡城市和自然地理環境。” Devlin說。
“時裝秀將尼邁耶博物館展示為未來的天文臺。”她補充說。
The duo chose the contemporary art museum by legendary Brazilian architect Oscar Niemeyer in Niterói, Rio, as the setting for the event, which showcased Louis Vuitton's annual ready-to-wear cruise collection.
"We conceived an environment in direct response to Niemeyer's ground breaking futurist architecture and to the extraordinary urban and natural geography that surrounds it," said Devlin.
"The protagonists of the show treat the Niemeyer museum as an observatory to the future," she added.
模特們身穿時裝，沿著博物館蜿蜒的入口坡道，經過永久性混凝土長凳和廣場上的臨時座位，然後繞著圓形建築的底部環繞而行。
博物館斜坡上覆蓋著紅色地毯，呼應了有色混凝土，而另一段穿過博物館底部的水池則是淺藍色。
Models walked along pathways that meandered along the museum's twisting access ramp, through permanent concrete benches and temporary seating in its forecourt, and then around the bottom of the circular building.
The floor of the catwalk along the museum's ramp was covered with a red textile, in reference to its pigmented concrete, while pale blue was chosen for another section that passed over a pool of water at the museum's base.
“模特們走的路線呼應其蜿蜒的線性形態，引導人們看向遠處的海洋和岩石景觀。” Devlin說。
Devlin說她設計了彩色膠合板、玻璃和穿孔鋼座椅，這是對Gambiarra 的Carioca精神的回應。
“Carioca”指的是與里約熱內盧及其周邊地區有關的事物，而“Gambiarra”則意為“將可用的物質轉化為必需品”的藝術。
"The pathways they trace echo its sinuous linear forms and guide our eyes towards the depths of sea and rock scape beyond," said Devlin.
Devlin said she designed the colourful plywood, glass and perforated steel seating as a response to the Carioca spirit of gambiarra.
Carioca refers to anything related to Rio de Janeiro and its surroundings, while gambiarra is described as "the art of transforming the available into the essential".
“我們將彩色拼貼畫結合到尼邁耶20世紀復古未來的雕塑建築中。”Devlin說道。
尼邁耶的現代藝術博物館於1996年完工，是里約熱內盧的主要地標，建築位於懸崖頂部，俯瞰著瓜納巴拉灣的入口，人們在這裡可欣賞到城市和Sugarloaf山的景色。
這座三層高的建築由現代主義建築師奧斯卡•尼邁耶和結構工程師Bruno Contarini設計，形狀像一個巨大的倒置錐形。蜿蜒的坡道通向其博物館主廳和觀景廊。
"The coloured collage that we perceive in Rio's present is grafted into the 20-year-old retro-future of Niemeyer's extraordinary sculptural architecture," said Devlin.
Completed in 1996, the Museo de Arte Contemporáneo de Niterói is one of Rio's major landmarks and sits at the top of a cliff overlooking the entrance to Guanabara Bay, with views over the water towards the city and Sugarloaf Mountain.
The three-storey building was designed by the prolific Modernist architect Oscar Niemeyer, with structural engineer Bruno Contarini, and is shaped like a wide, upside-down cone. The twisting ramp leads to its main hall and a viewing gallery.
尼邁耶在巴西首都巴西利亞的作品非常有名，他在那裡設計了大部分主要的公民和政府建築，包括為他贏得1988年普利茲克建築獎的羅馬天主教大教堂。
他從20世紀30年代開始工作，直到2012年去世，享年104歲。
Devlin是英國領先的舞臺設計師，其主要項目包括2012年倫敦奧運會閉幕式舞臺設計，以及Kanye West，Jay Z和Take That的演唱會舞臺。自2014年以來，她一直與LV合作。
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