Es Devlin在奥斯卡•尼迈耶博物馆周围创造了蜿蜒的路易•威登时装步道
Es Devlin creates meandering Louis Vuitton catwalk around Oscar Niemeyer museum
英国布景设计师Es Devlin为奥斯卡•尼迈耶（Oscar Niemeyer）设计的现代艺术博物馆创作了一条扭曲的步道，用于奢侈品牌路易•威登（Louis Vuitton）Cruise系列时装秀。
Devlin与路易•威登（LV）的创意总监、法国时装设计师Nicolas Ghesquiere合作，为LV在巴西的展览进行场地设计。
British set designer Es Devlin has created a twisting pathway around the Oscar Niemeyer-designed Museo de Arte Contemporáneo de Niterói for the Louis Vuitton Cruise Collection catwalk show (+ slideshow).
Devlin collaborated with Louis Vuitton's creative director, French fashion designer Nicolas Ghesquiere, to create the set for the brand's recent show in Brazil.
设计师选择了由里约传奇的巴西建筑师奥斯卡•尼迈耶设计的当代艺术博物馆作为此次活动的场地，用于LV的年度时装秀。
“我们构思了这样一个环境，直接呼应尼迈耶的未来主义建筑，以及它周围的非凡城市和自然地理环境。” Devlin说。
“时装秀将尼迈耶博物馆展示为未来的天文台。”她补充说。
The duo chose the contemporary art museum by legendary Brazilian architect Oscar Niemeyer in Niterói, Rio, as the setting for the event, which showcased Louis Vuitton's annual ready-to-wear cruise collection.
"We conceived an environment in direct response to Niemeyer's ground breaking futurist architecture and to the extraordinary urban and natural geography that surrounds it," said Devlin.
"The protagonists of the show treat the Niemeyer museum as an observatory to the future," she added.
模特们身穿时装，沿着博物馆蜿蜒的入口坡道，经过永久性混凝土长凳和广场上的临时座位，然后绕着圆形建筑的底部环绕而行。
博物馆斜坡上覆盖着红色地毯，呼应了有色混凝土，而另一段穿过博物馆底部的水池则是浅蓝色。
Models walked along pathways that meandered along the museum's twisting access ramp, through permanent concrete benches and temporary seating in its forecourt, and then around the bottom of the circular building.
The floor of the catwalk along the museum's ramp was covered with a red textile, in reference to its pigmented concrete, while pale blue was chosen for another section that passed over a pool of water at the museum's base.
“模特们走的路线呼应其蜿蜒的线性形态，引导人们看向远处的海洋和岩石景观。” Devlin说。
Devlin说她设计了彩色胶合板、玻璃和穿孔钢座椅，这是对Gambiarra 的Carioca精神的回应。
“Carioca”指的是与里约热内卢及其周边地区有关的事物，而“Gambiarra”则意为“将可用的物质转化为必需品”的艺术。
"The pathways they trace echo its sinuous linear forms and guide our eyes towards the depths of sea and rock scape beyond," said Devlin.
Devlin said she designed the colourful plywood, glass and perforated steel seating as a response to the Carioca spirit of gambiarra.
Carioca refers to anything related to Rio de Janeiro and its surroundings, while gambiarra is described as "the art of transforming the available into the essential".
“我们将彩色拼贴画结合到尼迈耶20世纪复古未来的雕塑建筑中。”Devlin说道。
尼迈耶的现代艺术博物馆于1996年完工，是里约热内卢的主要地标，建筑位于悬崖顶部，俯瞰着瓜纳巴拉湾的入口，人们在这里可欣赏到城市和Sugarloaf山的景色。
这座三层高的建筑由现代主义建筑师奥斯卡•尼迈耶和结构工程师Bruno Contarini设计，形状像一个巨大的倒置锥形。蜿蜒的坡道通向其博物馆主厅和观景廊。
"The coloured collage that we perceive in Rio's present is grafted into the 20-year-old retro-future of Niemeyer's extraordinary sculptural architecture," said Devlin.
Completed in 1996, the Museo de Arte Contemporáneo de Niterói is one of Rio's major landmarks and sits at the top of a cliff overlooking the entrance to Guanabara Bay, with views over the water towards the city and Sugarloaf Mountain.
The three-storey building was designed by the prolific Modernist architect Oscar Niemeyer, with structural engineer Bruno Contarini, and is shaped like a wide, upside-down cone. The twisting ramp leads to its main hall and a viewing gallery.
尼迈耶在巴西首都巴西利亚的作品非常有名，他在那里设计了大部分主要的公民和政府建筑，包括为他赢得1988年普利兹克建筑奖的罗马天主教大教堂。
他从20世纪30年代开始工作，直到2012年去世，享年104岁。
Devlin是英国领先的舞台设计师，其主要项目包括2012年伦敦奥运会闭幕式舞台设计，以及Kanye West，Jay Z和Take That的演唱会舞台。自2014年以来，她一直与LV合作。
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