此瓶通體紋飾以釉下青花勾勒，釉上覆繪紅、黃、綠、紫等多種彩色，整個畫面既有柔和淡雅之色調，又有豔麗紛繁之色彩。此外，此瓶的題材與畫風受宋院體畫影響，以生活中常見的生活小景入畫，表現出成化皇帝的生活願望與藝術審美。而且從底部看且為皇上御賜之物更加尤為難得。The whole body of the bottle is outlined by glazed blue and white, and the glaze is painted with red, yellow, green and purple colors. The whole picture has soft and elegant colors and colorful colors. In addition, the theme and style of this bottle were influenced by the body paintings of the Song Dynasty, and the paintings of the life scenes were common, showing the life wishes and artistic aesthetics of the Chenghua Emperor. And it is even more rare to see from the bottom and for the imperial concubine.
鬥彩始於明宣德，但實物罕見。成化時期的鬥彩最受推崇，文獻中也稱之為成"窯彩"或 "青花間裝五色"。傳世成化鬥彩瓷器圖案繪畫簡練，內容主要是花鳥、人物。它的做法是先用青花在白色瓷胎上勾勒出所繪圖案的輪廓線，罩釉高溫燒成後，再在釉上按圖案的不同部位，根據所需填人不同的彩色，一般是3至5種，最後入彩爐低溫燒成。Bucket began in Ming Xuande, but the object is rare. In the Chenghua period, Dou Cai was most admired, and the literature also referred to as "kiln color" or "blue and white". The hand-painted Chenghua Douhua porcelain pattern painting is concise, and the content is mainly flowers, birds and figures. The method is to first outline the outline of the painted pattern on the white porcelain tire with blue and white. After the high temperature of the glaze is fired, the different parts of the pattern on the glaze are filled according to the different colors required, generally 3 to 5 kinds, and finally into the color furnace to burn at low temperature.
郎窯紅，是中國名貴銅紅釉中色彩最鮮豔的一種，它的特點是:色彩絢麗，紅豔鮮明，且具有一種強烈的玻璃光澤 。由於釉汁厚，在高溫下產生流淌，所以成品的郎紅往往於口沿露出白胎，呈現出旋狀白線，俗稱" 燈草邊 "。郎窯紅底部邊緣釉汁流垂凝聚，近於黑紅色。為了流釉不過底足，工匠用刮刀在圈足外側刮出一個二層臺 ，阻擋流釉淌下來，這是郎窯紅瓷器製作過程中一個獨特的技法，世有"脫口垂足郎不流"之稱。Lang Yaohong is one of the most vivid colors in China's precious copper red glaze. It is characterized by beautiful colors, bright red and bright, and a strong glass luster. Because the glaze is thick and produces runny at high temperatures, the finished lang red often reveals white tires along the mouth, showing a spiral white line, commonly known as "light grass edge." The glaze of the bottom edge of the kiln red is condensed and condensed, close to black and red. In order to flow the glaze, the craftsman used a scraper to scrape a two-story table on the outside of the circle to block the flow of the glaze. This is a unique technique in the process of making the kiln red porcelain, and the world has "disguised." "The name."
這件郎窯紅瓶釉凝厚，玻璃感強，佳品呈鮮紅色。銅紅釉中較鮮豔，其釉面光潔透亮，有玻璃質感，開紋片並有牛毛紋，釉色深淺不一，色淡者暗褐。是胎骨潔白細密而堅硬，比較敦實，手感極好，大件作品相當厚重，精巧玲瓏的薄胎作品較少，足底露胎處有火石紅，是器身紅釉與足端露胎處有一條白色線，是修足有平切式、裡收外斜削的二層臺式，均為到代郎窯紅之特點。This Langyao red bottle has a thick glaze, strong glass, and the product is bright red. The copper red glaze is more vivid, the glazed surface is smooth and translucent, and has a glass texture. The open embossed piece has a cow hair pattern, and the glaze color is different in depth, and the color is dark brown. The fetal bone is white and fine and hard, relatively compact, and feels very good. The large pieces are quite heavy, and the delicate and delicate thin tires are few works. The soles of the feet have flint red, which is the body red glaze and the foot end. There is a white line, which is a two-story table with a flat cut and a slanted outer cut.
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